Philippians 3

Which worship songs are based on Philippians 3?

Just as Faithful — Janet Paschal (2012) Philippians 3:7-8
The second verse describes personal loss as gain in the pursuit of God, echoing Paul's reassessment of loss and gain in light of knowing Christ. The connection rests on that distinctive reversal rather than the song's general theme of faithfulness.
When I Survey — Bluetree (2008) Philippians 3:7-8
The opening stanza reproduces Paul's reversal of gain into loss for Christ's sake, applying that accounting imagery to the singer's achievements and pride.
Count It All as Lost — August Burns Red (2014) Philippians 3:7-8
The title and outro closely adapt Paul's description of counting everything as loss in order to gain Christ. The song applies that reversal of loss and gain to surrendering self-reliance and allowing God to lead.
The God Who Rescued Me — Buddy Greene (2010) Philippians 3:7-9
The final verse closely adapts Paul's accounting of former advantages as losses for Christ. The preacher's rejection of confidence in religious achievement also mirrors Paul's contrast between his own righteousness and righteousness received through faith.
Satisfied — Chris Tomlin (2018) Philippians 3:7-8
The song adopts Paul's accounting metaphor, treating former gains as losses compared with what is found in Christ. The distinctive gain-and-loss language makes this a strong textual allusion rather than merely a shared theme.
Counted the Cost — Cory Asbury (2009) Philippians 3:7-8
The refrain closely adapts Paul’s accounting of former advantages as loss compared with knowing Christ. The later commitment to a single pursuit, leaving the past behind and seeking the prize, also reflects this passage.
When I Survey The Wondrous Cross — David Phelps (2020) Philippians 3:7-8
The accounting contrast between former gains and present loss directly echoes Paul’s reassessment of everything he once valued in light of knowing Christ.
Count It All — John Waller (2011) Philippians 3:7-8
The chorus closely adapts Paul's accounting of former gains as losses beside the surpassing worth of knowing Christ. The song applies that same comparison to possessions, identity, ambitions, and plans.
The Cause of Christ — Kari Jobe (2016) Philippians 3:7-8
The renunciation of former treasures in favor of Christ closely follows Paul's declaration that his previous gains became loss compared with the surpassing worth of knowing Christ.
The Power Of The Cross/When I Survey The Wondrous Cross - Live — Keith & Kristyn Getty (2013) Philippians 3:7-8
The reassessment of personal gain as loss closely follows Paul's accounting language about relinquishing former advantages for Christ.
I'm Not What I Was — Gold City (2009) Philippians 3:7-14
The song closely adapts Paul's reassessment of former gains as losses, his desire to know Christ's resurrection power, and his pursuit of the prize associated with God's calling. Its acknowledgment of incomplete growth also mirrors Paul's admission that he has not yet reached perfection.
Rescue — Mosaic MSC (2021) Philippians 3:7-8
The singer regards former knowledge and attachments as incomparable with personally knowing God, closely reflecting Paul's contrast between his former gains and the surpassing worth of knowing Christ.
There Is One Gospel (Live) — CityAlight (2022) Philippians 3:7-9
The singer adopts Paul’s language of treating every competing ground of confidence as loss and rejecting personal merit as the basis of righteousness.
Fearless — Building 429 (2008) Philippians 3:7-8
The singer's willingness to count everything as loss for Christ closely adapts Paul's language about relinquishing former gains for the surpassing value of knowing Christ.
Best Thing — Jordan Feliz (2020) Philippians 3:7-8
The comparison of accumulated successes with the incomparable worth of knowing the Lord closely parallels Paul’s accounting of personal gains as loss beside knowing Christ. The song likewise redefines winning and losing according to the value of relationship with God.
The Worthy One - Live — New Life Worship, Lauren Smith (2024) Philippians 3:7-8
The singer evaluates every former gain as loss because knowing Jesus surpasses everything else, closely following Paul's comparison of worldly gain with the surpassing worth of Christ.
YOU MEAN MORE — Mitch Wong & Steffany Gretzinger (2025) Philippians 3:7-10
The song’s repeated contrast between worldly advantages and the incomparable value of knowing Christ closely follows Paul’s gain-and-loss accounting, including his emphasis on knowing Christ and sharing fellowship with him.
Burn The Bridges — TAYA (2025) Philippians 3:7-8
The lyrics express a sentiment similar to Paul's declaration of counting all things as loss for the sake of knowing Christ, emphasizing the value of spiritual commitment over worldly gains.
Surrender — Marc James (2010) Philippians 3:7-10
The second verse closely adapts Paul's renunciation of former gains in favor of knowing Christ. Its willingness to participate in Christ's suffering specifically echoes Paul's desire for fellowship in His sufferings.
Knowing You — Kathy Troccoli (2014) Philippians 3:7-10
The song closely adapts Paul's reassessment of former advantages as loss beside the surpassing value of knowing Christ. Its desire to be found in Christ and receive righteousness through faith rather than personal achievement specifically follows verses 9-10.
One Thing - Live — Hillsong Worship (2007) Philippians 3:7-10
The renunciation of worldly advantages as loss for the sake of knowing Christ closely follows Paul's reassessment of his former gains. The repeated emphasis on knowing Jesus reinforces this specific connection.
Jesus Over Everything (Live) — Naomi Raine (2025) Philippians 3:7-10
The opening verse closely follows Paul's revaluation of personal gains as loss for the surpassing purpose of knowing Christ. Both the accounting language and the stated desire to know him make the allusion specific.
There Is One Gospel - Live — CityAlight (2024) Philippians 3:7-9
The singer adopts Paul’s accounting metaphor, treating every competing basis for confidence as a loss compared with belonging to Christ and receiving righteousness through faith.
Hide Me Behind the Cross — Gold City (2009) Philippians 3:7-8
The chorus closely adapts Paul's accounting of former gains as loss for Christ's sake. Its surrender of personal accomplishments and recognition reinforces that specific reversal of value.
All In All — Josh Garrels (2023) Philippians 3:7-8
The speaker evaluates worldly aspirations as loss when compared with the surpassing worth of knowing the Lord, closely following Paul’s language and reasoning.
Love Has Called My Name — Neal Morse (2020) Philippians 3:7-8
The disciples describe former losses as gains because following Christ has reordered their values, closely echoing Paul’s accounting language about gain and loss for Christ.
Eu Vi Alguém Mais Belo - Ao Vivo — fhop music (2024) Philippians 3:7-9
The refrain adopts Paul's accounting language of regarding former religious advantages as loss because of the surpassing worth of knowing Christ. The verse's contrast between reliance on the law and being found in Christ reinforces this specific context.
Love Has Called My Name (reprise) — Neal Morse (2020) Philippians 3:7-8
The accounting language of loss and gain closely echoes Paul’s reassessment of his former advantages in light of knowing Christ. The song adapts Paul’s paradox to present costly surrender as spiritual gain.
I Come Alive — Out of the Dust (2017) Philippians 3:7-10
The singer treats personal advantages as loss and connects knowing Christ with participation in his suffering, conformity to his death, and resurrection life. This cluster of ideas specifically reflects Paul’s argument in Philippians.
Lead Me to the Cross — Chris and Conrad (2009) Philippians 3:7-8
The renunciation of formerly treasured things closely adapts Paul's accounting of his former gains as loss because of Christ.
Wait (Intro) — Jamie MacDonald (2026) Philippians 3:7-8
The singer adopts Paul’s distinctive valuation of all other gains as loss compared with knowing Christ, while also identifying God as the ultimate prize.
Glory 2 Glory — KB (2023) Philippians 3:7-8
After cataloging his achievements, KB treats those gains as disposable beside the surpassing worth and status of Jesus. The combination of gains, comparison with Christ, and discarded refuse strongly tracks Paul’s argument.
Uma Vez - Ao Vivo — fhop music (2024) Philippians 3:7-8
The reassessment of former gains as worthless in comparison with knowing Christ closely follows Paul's gain-and-loss accounting in Philippians.
Lead Me to the Cross — Francesca Battistelli (2012) Philippians 3:7-8
The singer reclassifies formerly treasured things as loss, closely adapting Paul's description of surrendering his former gains for the sake of Christ.
Aftermath — Hillsong UNITED (2011) Philippians 3:7-8
The final verse closely adapts Paul’s declaration that he regards everything as loss compared with the surpassing value of knowing Christ.
Live to Lose — Aaron Shust (2009) Philippians 3:7-8
The chorus closely adapts Paul's accounting of everything as loss compared with knowing Christ. Its emphasis on relinquishing personal advantage for exclusive belonging to Jesus reinforces this specific connection.
Hello Hurricane — Switchfoot (2009) Philippians 3:8
The second verse closely adapts Paul's declaration that he regards everything as loss for the sake of Christ. The song applies that language of relinquishment to possessions and vulnerability to catastrophe.
I Have Decided — Elevation Worship (2013) Philippians 3:8
The prayer following the Scripture reading closely reflects Paul’s willingness to relinquish everything because knowing Christ is of surpassing worth. Its combination of total relinquishment and the greater value of knowing Jesus makes this a specific paraphrase rather than a general surrender theme.
To Know You — Casting Crowns (2009) Philippians 3:8-10
The bridge and outro closely adapt Paul's declaration that everything else is loss beside the surpassing worth of knowing Christ. The song's central desire for deeper knowledge of God also reflects Paul's stated aim of knowing Christ.
Let Heaven Shout — Bethel Music (2010) Philippians 3:8
The second verse places knowing God above the loss of worldly possessions and advantages. This closely reflects Paul's willingness to lose everything because knowing Christ has surpassing worth.
Oxygen — Kings Kaleidoscope (2019) Philippians 3:8
The speaker's willingness to surrender everything in order to find Christ closely parallels Paul's declaration that he accepted the loss of all things so that he might gain Christ.
Just to Know — Beckah Shae (2011) Philippians 3:8-10
The chorus closely adapts Paul's declaration that everything else is loss compared with knowing Christ. The bridge's willingness to endure suffering for that relationship further echoes Paul's desire to know Christ through participation in his sufferings.
Where I Belong — Building 429 (2011) Philippians 3:8-9
The bridge closely adapts Paul's language about being found in Christ. The chorus's preference for Jesus over worldly possessions reinforces the surrounding passage's prioritization of Christ above all other gains.
One Pure and Holy Passion — Shane & Shane (2024) Philippians 3:8
The comparison between the world's worthlessness and the surpassing value of knowing the Lord closely parallels Paul’s renunciation of all other gains for the knowledge of Christ.
If I Have You — Jeremy Camp (2019) Philippians 3:8
The central paradox—that losing everything is not ultimate loss when God remains—closely resembles Paul's declaration that all other gains may be surrendered in order to gain Christ.
yearning — Sinmidele (2024) Philippians 3:8
The singer's willingness to regard everything else as loss for the surpassing worth of knowing God closely paraphrases Paul's valuation of knowing Christ above all other gains.
Give Me Jesus (Live) — Hope Darst (2025) Philippians 3:8
The song expresses a sentiment similar to Paul's declaration that knowing Christ is of greater value than all worldly gains, emphasizing the surpassing worth of a relationship with Jesus.
All Along — ELEVATION RHYTHM, Tiffany Hudson (2022) Philippians 3:8-14
The identification of Jesus as the true prize, together with willingness to surrender everything in order to know Him, closely reflects Paul's description of knowing Christ as surpassingly valuable and pressing toward the heavenly prize.
The Glory of the Cross — Sovereign Grace Music (2014) Philippians 3:8-10
The chorus closely adapts Paul's willingness to regard everything as loss for the sake of knowing Christ, including participation in his suffering.
Holy — Tasha Cobbs Leonard (2022) Philippians 3:8-10
The song treats every worldly pursuit as comparatively worthless and makes knowing Christ the believer's governing ambition, closely reflecting Paul's valuation of all things as loss beside knowing Christ.
Cornerstone — Hillsong Worship (2012) Philippians 3:9
The final verse's desire to be found in Christ and depend exclusively on his righteousness closely adapts Paul's contrast between personal righteousness and righteousness received through faith in Christ.
Christ Lives in Me — Rend Collective (2018) Philippians 3:10-14
The bridge combines Paul’s desire to know Christ’s resurrection power with his determined pursuit of the heavenly goal.
Welcome Resurrection — Elevation Worship (2022) Philippians 3:10
The outro closely follows Paul’s desire to know Christ and experience the power associated with his resurrection.
I Will Look Up — Elevation Worship (2014) Philippians 3:12
The third verse closely adapts Paul's statement that Christ Jesus has already taken possession of him. Both ground the believer's response in Christ's prior action.
Momentum — Neal Morse (2019) Philippians 3:12-14
The repeated call to press forward rather than stop, coupled with movement toward a final destination, closely reflects Paul’s exhortation to leave what is behind and press toward the goal.
SMILE — bodie (2024) Philippians 3:12-14
The admission that perfection has not been attained, paired with the image of a mark still being pursued, closely echoes Paul’s description of pressing toward the goal despite not yet being perfected.
Where You Are (spontaneous) — Bethel Music (2018) Philippians 3:12
The declaration about pressing forward to take hold because Christ has first taken hold of the believer is an unmistakable paraphrase of Paul’s statement.
Stay Strong — Newsboys (2009) Philippians 3:13-14
The chorus combines forward-directed attention with pursuing a prize, closely adapting Paul’s description of reaching toward what is ahead and pressing toward the goal.
Press On — Mandisa (2013) Philippians 3:13-14
The repeated determination to keep advancing, paired with refusing to look backward and pursuing the race’s completion, closely adapts Paul’s description of leaving the past behind and pressing toward the goal.
More Like You (feat. Ben Haake) — Gateway Worship (2011) Philippians 3:13-14
The verse combines reaching, striving, and an elevated prize, closely echoing Paul's description of pressing toward the goal of God's heavenly calling in Christ.
Eyes Forward — Shawn McDonald (2011) Philippians 3:13-14
The chorus combines leaving what is behind with maintaining focus on the prize ahead, closely adapting Paul's description of pressing toward the goal. This paired imagery makes the connection specific rather than merely thematic encouragement to persevere.
New Every Morning - Live — Covenant Worship & David Binion & Joshua Dufrene (2014) Philippians 3:13-14
The bridge combines Paul's decision to leave the past behind with his determined pursuit of God's heavenly calling. This sequence closely follows the wording and movement of the passage.
Free — Riley Clemmons (2019) Philippians 3:13-14
The determination to resist the past's hold and direct attention forward closely parallels Paul's description of leaving what is behind and pressing toward what lies ahead.
QUE NO — Alex Zurdo (2025) Philippians 3:13-14
The combination of leaving what is behind and continuing toward the goal closely follows Paul’s description of pressing forward toward the heavenly prize in Christ.
YOU — Anna Golden (2021) Philippians 3:13-14
The combination of forward movement, concentrated attention, and continued pursuit strongly echoes Paul's description of pressing toward the goal while leaving what is behind.
Worth Fighting For — Brian Courtney Wilson (2015) Philippians 3:14
The bridge combines forward striving toward a goal with divine calling, closely adapting Paul's description of pursuing the prize of God's calling in Christ.
For God & Rock ’n’ Roll — Stryper (2020) Philippians 3:14
The opening verse combines the goal and prize imagery Paul uses to describe pressing onward in the Christian calling.
Whirlwind — Sam Purpose (2015) Philippians 3:14
The chorus closely adapts Paul’s description of pressing toward the prize. The surrounding language of perseverance and racing reinforces this specific reference.
Stretch — Tamela Mann (2012) Philippians 3:14
The closing refrain closely adapts Paul's distinctive language about pursuing the goal, the prize, and God's upward call. The song's repeated emphasis on pressing forward reinforces this unmistakable reference.
Hold On — Karen Clark Sheard (2010) Philippians 3:14
The paired exhortations to focus on the prize and continue pressing forward closely adapt Paul's description of pursuing the goal for God's heavenly prize.
Make It Through — Sam Purpose (2023) Philippians 3:14
The description of pressing forward for a prize closely echoes Paul’s athletic metaphor for pursuing the heavenly goal in Christ.
Coming Back Again — Hostyle Gospel (2011) Philippians 3:14
The language of pressing toward a Christ-centered goal closely adapts Paul's athletic description of pursuing God's heavenly calling.
Work Is Hard — Joey Vantes & 808 BEEZY (2018) Philippians 3:14
The artist describes continuing forward toward a prize, closely echoing Paul's portrayal of the Christian life as determined pursuit of God's heavenly calling in Christ.
City On A Hilltop — Sam Purpose (2023) Philippians 3:14
The repeated language about pressing toward the mark closely reproduces the wording of Paul’s description of pursuing the heavenly prize.
Faith & Freedom — John Schlitt (2012) Philippians 3:20
The singer's identification as a citizen of heaven closely adapts Paul's statement about believers' heavenly citizenship. The song places this biblical identity alongside earthly citizenship, presenting the two allegiances as compatible.
Citizen of Heaven — Tauren Wells (2020) Philippians 3:20
The song’s central declaration closely restates Paul’s assertion that believers possess heavenly citizenship rather than finding their ultimate identity in the present world.
Grace Alone — Kings Kaleidoscope (2014) Philippians 3:20
The believer's identity as a citizen of heaven closely restates Paul's declaration about where Christian citizenship belongs.
DO I LOOK LIKE GOD TO YOU? — Torey D'Shaun (2025) Philippians 3:20
The singer identifies himself by heavenly citizenship, closely reflecting Paul's description of believers whose true commonwealth is in heaven.

Philippians 3 (King James Version)

¹ Finally, my brethren, rejoice in the Lord. To write the same things to you, to me indeed is not grievous, but for you it is safe.

² Beware of dogs, beware of evil workers, beware of the concision.

³ For we are the circumcision, which worship God in the spirit, and rejoice in Christ Jesus, and have no confidence in the flesh.

⁴ Though I might also have confidence in the flesh. If any other man thinketh that he hath whereof he might trust in the flesh, I more:

⁵ Circumcised the eighth day, of the stock of Israel, of the tribe of Benjamin, an Hebrew of the Hebrews; as touching the law, a Pharisee;

⁶ Concerning zeal, persecuting the church; touching the righteousness which is in the law, blameless.

⁷ But what things were gain to me, those I counted loss for Christ.

⁸ Yea doubtless, and I count all things but loss for the excellency of the knowledge of Christ Jesus my Lord: for whom I have suffered the loss of all things, and do count them but dung, that I may win Christ,

⁹ And be found in him, not having mine own righteousness, which is of the law, but that which is through the faith of Christ, the righteousness which is of God by faith:

¹⁰ That I may know him, and the power of his resurrection, and the fellowship of his sufferings, being made conformable unto his death;

¹¹ If by any means I might attain unto the resurrection of the dead.

¹² Not as though I had already attained, either were already perfect: but I follow after, if that I may apprehend that for which also I am apprehended of Christ Jesus.

¹³ Brethren, I count not myself to have apprehended: but this one thing I do, forgetting those things which are behind, and reaching forth unto those things which are before,

¹⁴ I press toward the mark for the prize of the high calling of God in Christ Jesus.

¹⁵ Let us therefore, as many as be perfect, be thus minded: and if in any thing ye be otherwise minded, God shall reveal even this unto you.

¹⁶ Nevertheless, whereto we have already attained, let us walk by the same rule, let us mind the same thing.

¹⁷ Brethren, be followers together of me, and mark them which walk so as ye have us for an ensample.

¹⁸ (For many walk, of whom I have told you often, and now tell you even weeping, that they are the enemies of the cross of Christ:

¹⁹ Whose end is destruction, whose God is their belly, and whose glory is in their shame, who mind earthly things.)

²⁰ For our conversation is in heaven; from whence also we look for the Saviour, the Lord Jesus Christ:

²¹ Who shall change our vile body, that it may be fashioned like unto his glorious body, according to the working whereby he is able even to subdue all things unto himself.