Philippians 2

Which worship songs are based on Philippians 2?

Humpty Dumpty Country Club — ApologetiX (2010) Philippians 2:3
The song explicitly directs listeners to this verse while contrasting egotism with humility. This adapts Paul's rejection of conceit and instruction to regard others humbly.
All We Got — Andy Mineo & Dimitri McDowell (2014) Philippians 2:4
Mineo describes moving beyond attention to his own needs toward concern for someone else's. This closely paraphrases Paul's instruction to consider others' interests rather than only one's own.
All to Honour Jesus - Live — CityAlight (2025) Philippians 2:5-11
The prayer to imitate Christ’s humble service, together with the description of Jesus as both servant and king and the movement from the cross to his glory, closely follows Paul’s portrait of Christ’s humiliation and exaltation.
Hark! The Herald Angels Sing — Amy Grant (2008) Philippians 2:6-7
Christ’s voluntary relinquishment of displayed divine glory and assumption of human existence closely reflects Paul’s account of his self-emptying and incarnation.
How Great a King — Bethel Music (2019) Philippians 2:6-8
The song presents Christ as relinquishing heavenly status and giving himself over to death for others, closely following Paul's description of Christ's voluntary descent from divine glory to death.
Wondrous Love - — Aaron Shust & Kari Jobe (2011) Philippians 2:6-8
The movement from divine majesty to ordinary human existence and finally death on a cross closely follows Paul's account of Christ's voluntary self-humbling.
Another One Died for Us — ApologetiX (2015) Philippians 2:6-8
The description of Christ surrendering his heavenly privilege and subsequently dying closely adapts Paul’s account of Christ’s self-emptying and obedience unto death.
Equality with God — Jon Thurlow (2011) Philippians 2:6-8
The chorus closely reproduces Paul's description of Christ's refusal to grasp at divine equality. The bridge continues the same passage's movement through self-emptying, humility, and death on the cross.
How Great Is Your Name (Live From Passion 2024) — Passion & Rachel Halbach (2024) Philippians 2:6-8
The depiction of Christ surrendering heavenly glory, assuming the role of a servant, and submitting to death on a cross closely follows Paul's account of Christ's self-humiliation.
I've Witnessed It (Single Version) — Passion & Melodie Malone (2023) Philippians 2:6-8
The song describes Christ relinquishing heavenly status, humbling himself, and willingly dying on a cross for others, closely following Paul's account of Christ's self-emptying and obedience.
The King Is Here - Live — New Wine Worship & Chris Lawson Jones (2018) Philippians 2:6-11
The song follows Paul’s movement from Christ relinquishing divine privilege and accepting death on a cross to his exaltation and receipt of the supreme name. Its description of Jesus’ name closely reproduces the distinctive wording of verse 9.
Though You Were Rich — Matt Gilman (2013) Philippians 2:6-8
The movement from divine status to earthly servanthood closely follows Paul's description of Christ assuming a slave's form and humbling Himself unto death.
How Great Is Your Love — Phil Wickham (2018) Philippians 2:6-8
The pre-chorus follows Paul’s account of Christ humbling himself from divine glory to human life and obediently surrendering himself to death on a cross.
Hark the Herald Angels Sing — Hawk Nelson (2011) Philippians 2:6-7
Christ’s voluntary relinquishment of heavenly glory to enter human life closely reflects Paul’s account of his self-emptying and assumption of human likeness.
Even Death On A Cross! — Brooke Ligertwood & Abbie Gamboa (2026) Philippians 2:6-11
The entire song sets Paul’s Christ hymn almost verbatim to music, tracing Christ’s divine status, incarnation, servanthood, obedience through crucifixion, and subsequent exaltation as universal Lord.
All About You — Hollyn & Tauren Wells (2017) Philippians 2:6-11
The bridge follows Paul’s account of Christ descending from divine glory, assuming human form, submitting to death on a cross, and reigning in exaltation.
Cruz em Ti - ao vivo — Isadora Pompeo (2024) Philippians 2:6-8
The description of Christ relinquishing heavenly glory, taking human likeness, and accepting humiliating death closely follows Paul's account of Christ's self-emptying and obedience to death on a cross.
One King — David Phelps (2007) Philippians 2:6-7
Christ's voluntary surrender of heavenly privilege, entrance into human life, and adoption of a servant's role closely follow Paul's account of his self-emptying. The connection rests on that specific sequence rather than on humility alone.
Real Jesus — Evan Craft (2023) Philippians 2:6-8
The description of a heavenly King relinquishing divine privilege, assuming human existence, and accepting the cross closely follows Paul's account of Christ's incarnation and self-emptying.
Like an Avalanche — Hillsong UNITED (2011) Philippians 2:6-7
The opening verses portray Jesus voluntarily relinquishing royal privilege and associate that descent with servanthood. This closely reflects Paul's account of Christ emptying himself and taking the form of a slave.
Come Adore The Humble King - Live — Keith & Kristyn Getty & Matt Boswell & Matt Papa & Sing! (2019) Philippians 2:6-11
Christ's voluntary descent from heavenly privilege, his humility, universal adoration, and his supreme name closely follow Paul's account of Christ's self-emptying and exaltation.
Jesus Over Everything — The Belonging Co & Andrew Holt (2024) Philippians 2:6-11
The song follows Paul’s movement from Christ’s divine glory through incarnation and death on a cross to universal supremacy. Its declaration of Christ’s lordship and the unrivaled authority of his name closely reflects the passage’s climax.
The Theme of My Song — Andrew Peterson (2019) Philippians 2:6-8
The chorus closely follows Paul’s description of the divine Christ relinquishing status, taking human form, humbling himself, and submitting to death.
More Like Jesus (Live) — Passion (2018) Philippians 2:6-8
Christ's relinquishment of divine privilege, assumption of a servant's position, and willing death closely follow Paul's description of Jesus' self-emptying and obedience.
Before the Skies — Sovereign Grace Music (2014) Philippians 2:6-7
The description of Christ relinquishing divine majesty and assuming human form closely echoes Paul's account of his self-emptying and becoming human.
Behold Our God (Who has held the oceans) — Sovereign Grace Music (2014) Philippians 2:6-9
The third verse’s movement from divine identity to self-humbling in death and subsequent exaltation closely follows Paul’s account of Christ’s humiliation and exaltation.
O Holy Night (Hear the Gospel Story) — Sovereign Grace Music (2014) Philippians 2:6-8
The second verse follows the passage’s distinctive movement from divine status to human likeness, humility, and death. Its description of Christ surrendering glory adapts Paul’s account of Christ emptying himself rather than reproducing its wording.
Obediência - Ao Vivo — fhop music (2025) Philippians 2:6-8
The opening verse closely follows Paul's description of Christ relinquishing divine privilege, humbling himself, and remaining obedient through death on a cross.
The Glory Of God — ECCOS & TAYA (2026) Philippians 2:6-11
The opening and recurring exaltation sections closely follow Paul's Christ hymn: Christ shares God's equality, assumes a servant's lowliness, obeys through crucifixion, and is then exalted so that all bow and confess his lordship.
Jesus Over Everything - Live — The Belonging Co & Andrew Holt (2021) Philippians 2:6-11
The song follows Paul’s movement from Christ’s preexistent glory through incarnation and death to exaltation. Its emphasis on the supreme name, universal submission, and the confession of Christ’s lordship unmistakably reflects this passage.
Que O Mundo Conheça - Playback — Aline Barros (2024) Philippians 2:6-7
The description of Jesus relinquishing divine status and assuming the role of a servant closely follows Paul’s account of Christ’s self-emptying and incarnation.
Unto Your Name — Elevation Worship (2014) Philippians 2:6-11
The song follows Paul's account of Christ surrendering divine privilege, accepting death on a cross, and receiving exaltation. Its subsequent emphasis on Jesus' name and God's glory reinforces the passage's distinctive progression from humiliation to honor.
Up in Arms — Hillsong UNITED (2013) Philippians 2:6-9
The portrayal of Jesus laying aside royal majesty evokes Christ’s self-emptying and humility. The subsequent references to the cross and his supreme name closely follow this passage’s movement from sacrificial humiliation to exaltation.
Que O Mundo Conheça — Aline Barros (2024) Philippians 2:6-7
The song describes Christ relinquishing His heavenly status and assuming the position of a servant, closely following Paul's account of Christ's self-emptying and servanthood.
With Us Now — Covenant Worship (2021) Philippians 2:6-8
The bridge closely reproduces the passage’s language about Christ relinquishing status, assuming a servant’s form, and humbling himself in self-sacrifice.
Amazed By You — Elevation Worship (2009) Philippians 2:6-8
The first verse describes Christ relinquishing heavenly glory and entering human life. This closely reflects Paul's account of Christ's self-emptying and incarnation, followed by his death on the cross.
Eyes of Love — Trinity (NL) (2018) Philippians 2:6-8
The outro portrays Jesus as relinquishing divine glory in order to share human existence. This strongly parallels Paul's description of Christ not exploiting divine status but emptying himself and taking human form.
Ele É - Ao Vivo — MORADA (2020) Philippians 2:6-11
The contrast between divine status and voluntary servanthood, followed by exaltation above every name and the universal bowing and confession, unmistakably follows Paul’s Christ hymn.
Christ Exalted is Our Song - Live — Sovereign Grace Music (2019) Philippians 2:6-11
Christ’s descent from heavenly glory into humble human suffering, followed by his exaltation above every other name, closely follows Paul’s account of Christ’s humiliation and exaltation.
See How He Loves Us - Live — Sovereign Grace Music (2019) Philippians 2:6-8
Christ’s movement from heavenly glory to self-emptying, human lowliness, and death closely follows Paul’s account of the Son relinquishing divine privilege and humbling himself.
Never Alone — 808 BEEZY (2018) Philippians 2:6-8
The description of Christ sharing divine equality, descending into human humility, and proceeding to the cross closely follows Paul's account of Christ's self-emptying and obedient death.
Hark! The Herald Angels Sing — Cimorelli (2014) Philippians 2:6-8
Christ’s voluntary relinquishment of heavenly splendor and entry into human life reflect Paul’s description of divine self-emptying and humility.
Majestade - Ao Vivo — fhop music (2025) Philippians 2:6-9
The song closely follows Paul's account of Christ relinquishing divine privilege, assuming human form and servanthood, humbling himself, and subsequently being exalted by God above every other name.
THE NAME ABOVE ALL NAMES — Mitch Wong (2025) Philippians 2:7-8
The song reflects the concept of God becoming man and being humble, paralleling the passage where Jesus takes on the form of a servant and humbles Himself to the point of death.
Born That We May Have Life — Chris Tomlin (2009) Philippians 2:7
The opening closely reproduces the KJV's description of Christ relinquishing status. Its placement within an account of his humble birth reinforces Paul's description of his incarnation and self-humbling.
Stronger — Hillsong Worship (2008) Philippians 2:8-11
The song connects Jesus’ humility and death on a cross with the exaltation of his name and the confession of his lordship. This sequence closely follows Paul’s account of Christ’s humiliation and exaltation.
Jesus Messiah — Chris Tomlin (2008) Philippians 2:8-11
Jesus' self-humbling and crucifixion lead into his exaltation and supreme name. This sequence closely follows Paul's account of Christ's obedience, exaltation, and universal lordship.
The Keys to the Kingdom — Neal Morse (2019) Philippians 2:8-11
The declaration that all will kneel before the Son, joined to his prior suffering and death, follows Paul’s sequence of Christ’s humiliation, exaltation, and universal acknowledgment.
For The Cause — Keith & Kristyn Getty (2020) Philippians 2:8-9
The chorus closely reproduces Paul’s description of Jesus receiving supreme exaltation after his obedient death. The song’s movement from the cross to Christ’s unrivaled name also follows the passage’s sequence.
No Me Without You — Dunsin Oyekan (2024) Philippians 2:8-11
The spoken section closely reproduces Paul's sequence of Christ's obedient death, divine exaltation, supreme name, and the universal bowing of every knee. The song's movement from cross to throne follows the same passage.
One And Only (with Cody Carnes) — TAYA & Cody Carnes (2026) Philippians 2:8-9
The movement from Christ's endurance of death to exaltation and supreme naming follows Philippians 2, including its distinctive declaration of the highest name.
With Everything — Hillsong Worship (2008) Philippians 2:9
The closing declaration of Christ's exaltation above every other name closely adapts Paul's description of God highly exalting Jesus and granting Him the supreme name.
Break — Hostyle Gospel (2013) Philippians 2:9
The assertion that no name surpasses Jesus' closely compresses Paul's description of his uniquely exalted name.
Jesus, Only Jesus — Matt Redman (2013) Philippians 2:9-11
The third verse and bridge closely adapt Paul's description of Jesus receiving the supreme name. The song's accompanying posture of bowing reinforces the passage's account of universal submission to Christ.
What An Awesome God (with Michael W. Smith) [Song Session] — Phil Wickham (2026) Philippians 2:9-11
The linked declarations of God's supreme name and the universal bending of knees unmistakably echo Paul's description of every creature ultimately acknowledging Jesus' lordship.
There’s No Other Name — Bethel Music (2017) Philippians 2:9-11
The bridge directly reproduces Paul’s vision of universal submission and confession centered on Jesus, while the song’s emphasis on his unique name reflects the passage’s preceding declaration of his exaltation.
Sacred Ground — Avalon (2020) Philippians 2:9-11
The chorus joins Christ's supreme name with the future submission of every knee, closely following Paul's description of Jesus' universal exaltation.
Jesus Be The Name (feat. Tiffany Hudson) — Elevation Worship (2025) Philippians 2:9-11
Describing Jesus’ name as exalted above every other name closely paraphrases Paul’s presentation of the risen Christ’s universal supremacy.
Majesty of Heaven (acoustic version) — Chris Tomlin (2010) Philippians 2:9-11
The bridge closely adapts Paul's description of Jesus' exaltation and the supremacy of his name. The surrounding emphasis on universal submission and lordship reinforces the connection.
Let It Be Jesus (acoustic) — Chris Tomlin (2014) Philippians 2:9
The chorus places Jesus' name above everything, closely adapting Paul's description of God exalting Jesus and giving him the supreme name. The repeated emphasis on Jesus' name supports this specific connection.
You Reign Alone — Elevation Worship (2011) Philippians 2:9
The bridge identifies Jesus' name as surpassing every other name, closely adapting Paul's description of Christ's exaltation and the supreme name bestowed upon him.
Speak the Name — Koryn Hawthorne (2018) Philippians 2:9-11
The chorus closely echoes Paul's declaration that God exalted Jesus and bestowed on him the name surpassing every other name.
I Cry Jesus — Ryan Stevenson (2022) Philippians 2:9-11
The song applies Paul’s exaltation language to Jesus, presenting his name as supreme over every competing power and object of devotion.
No Other Name - Radio Version — Hillsong Worship (2014) Philippians 2:9
The opening's placement of Jesus' name above every other name closely adapts Paul's description of Christ's exaltation and supreme name.
Way Maker - Live — Leeland (2020) Philippians 2:9-11
The spontaneous section presents Jesus’ name as surpassing every other name, closely reflecting Paul’s declaration that God exalted Jesus and bestowed on him the supreme name.
One - Live At Church — Bethel Music, Brooke Ligertwood (2025) Philippians 2:9
The song emphasizes the singularity and supremacy of Jesus' name, echoing the biblical assertion that God has exalted Jesus and given Him a name above every name.
There Is A Time (Live) — Anna Golden (2021) Philippians 2:9-11
The designation of Jesus as possessing the supreme name closely reproduces Paul's declaration of Christ's exaltation and universal lordship.
Yes I Will — Vertical Worship (2018) Philippians 2:9-11
The bridge's description of God's supreme name echoes Paul's declaration that Jesus has received the name above every name, before which all creation must ultimately submit.
I Love Your Name — Brian Johnson (2010) Philippians 2:9
The chorus closely reproduces Paul's description of the supreme name bestowed upon Jesus. Its explicit identification of Jesus makes the reference to this passage unmistakable.
I Will Sing — Elevation Worship (2014) Philippians 2:9
The chorus describes Jesus' name as supreme over all others, closely adapting Paul's description of the exalted name God gives Jesus.
Name — Crystal Lewis (2011) Philippians 2:9-11
The chorus closely reproduces Paul's description of Jesus' exalted name and the universal bowing and confession that acknowledge his lordship.
The Chorus Of The Saved — Emu Music (2014) Philippians 2:9
The description of Jesus’ exaltation and the supremacy of his name closely adapts Paul’s statement that God exalted him and bestowed the highest name.
Of All the Places — John Waller (2009) Philippians 2:9
The description of Jesus's supreme name closely reproduces Paul's language about his exaltation. The contrast between divine dignity and humiliation also fits the surrounding passage.
Worthy of My Song — Phil Wickham (2022) Philippians 2:9-11
The declaration that Jesus is exalted above every other name closely paraphrases Paul’s description of God bestowing the supreme name upon the risen and exalted Christ.
Sí, Lo Haré — Vertical Worship (2019) Philippians 2:9-11
The bridge invokes the supreme name exalted above every other authority, closely echoing Paul's proclamation of the universal lordship and exaltation of Jesus.
You Are — Team Eternity Ghana & Ps. Isaiah Fosu-Kwakye Jnr (2024) Philippians 2:9-11
The combined language of Jesus being exalted, worshippers bowing before him, elevating his name, and confessing his lordship closely reflects Paul’s description of Jesus’ universal exaltation.
You Reign - Live — Mack Brock (2020) Philippians 2:9-11
The bridge connects the name of Jesus with opposing powers bowing, closely adapting Paul’s declaration that every knee will bow at Jesus’ exalted name.
None — Elevation Worship (2017) Philippians 2:9-11
The declaration that Jesus possesses supreme status above every other name directly echoes Paul’s account of God exalting Christ and granting Him the preeminent name.
Worthy — Elevation Worship (2018) Philippians 2:9-11
The bridge presents Jesus as exalted in heaven and possessing supreme authority over every other name, closely paraphrasing Paul's description of Christ's exaltation after His obedient death.
Jesus Be The Name (feat. Steven Furtick) — Elevation Worship (2026) Philippians 2:9-11
Its presentation of Jesus as possessing the supreme name and deserving universal glory closely reflects Paul’s account of Christ’s exaltation.
What He's Done — Passion (2022) Philippians 2:9-11
The description of Jesus as possessing the supreme name closely follows Paul's account of God exalting Christ above every name, before whom all creation will bow and confess his lordship.
Reaching for You — Chris Tomlin (2020) Philippians 2:9-11
The song identifies Jesus as bearing the supreme name, closely reflecting Paul’s declaration that God exalted Christ and bestowed on him the name above every name.
Greater Than — Gateway Worship (2018) Philippians 2:9-11
The declaration that no competing name surpasses God's name closely reflects Paul's description of Jesus receiving the name above every name and universal acknowledgment of his lordship.
Only Jesus — Hillsong Worship (2026) Philippians 2:9
The song references Jesus as 'the Name above all names,' which directly echoes the biblical declaration of Jesus' exaltation in Philippians 2:9, emphasizing His supreme authority.
10,000 Reasons / What a Beautiful Name — Caleb and Kelsey (2018) Philippians 2:9-11
The declaration that Jesus possesses the supreme name closely reflects Paul’s description of God exalting Christ and granting him the name surpassing every other name.
Call God — Elevation Worship (2026) Philippians 2:9-11
The spoken identification of Jesus' name as supreme directly invokes Paul's declaration that God exalted Jesus and bestowed on Him the name above every name.
There Is a Name — Sean Feucht (2018) Philippians 2:9-11
The bridge closely follows Paul's declaration that Jesus possesses the supreme name and that all creation will ultimately bow and acknowledge His lordship.
Praise the Father, Praise the Son — Chris Tomlin (2008) Philippians 2:9
The chorus closely adapts Paul’s description of the supreme name bestowed on the exalted Jesus.
How Great Is Our God — Don Moen (2010) Philippians 2:9
The bridge reproduces the distinctive description of the supreme name bestowed upon the exalted Jesus.
Be Crowned — Jesus Culture (2018) Philippians 2:9-11
The bridge's exclusive exaltation of one name, together with the command that darkness submit, recalls the exalted name of Jesus before which every realm must bow.
Taken by Love — Kutless (2009) Philippians 2:9-11
The depiction of creation bowing before the risen Jesus, with heaven and earth joining in praise, closely reflects Paul's description of universal homage to the exalted Christ.
Way Maker — Leeland (2020) Philippians 2:9-11
The spontaneous section closely echoes Paul's declaration that God exalted Jesus and bestowed on him the supreme name, before which every power must ultimately submit.
Praises (Be Lifted Up) - Spontaneous — WorshipMob (2021) Philippians 2:9-11
The song repeatedly presents God's name as surpassing every other name and calls for universal honor and exaltation, closely paraphrasing Paul's declaration of Jesus' supreme name and the worship due to him.
I Call You Jesus — Israel & New Breed (2012) Philippians 2:9
The repeated declaration of Jesus’ supreme name directly reproduces Paul’s description of the name bestowed on Jesus in his exaltation.
All Hail the Power of Jesus' Name — Point of Grace (2007) Philippians 2:9-11
The hymn combines the exaltation of Jesus’ name, heavenly beings bowing before him, and acknowledgment of his universal lordship. This closely follows Paul’s description of heavenly and earthly submission to the exalted Jesus.
Mighty Cross — Elevation Worship (2017) Philippians 2:9-11
The description of universal submission at Jesus' name closely paraphrases Paul's declaration that every knee will bow and every tongue acknowledge Jesus Christ as Lord.
Only King Forever — Elevation Worship (2014) Philippians 2:9-11
The declaration of universal bowing closely follows Paul's description of every knee bending at Jesus' name. The surrounding emphasis on Jesus' name and kingship makes this passage the clearest source.
Praise Your Name - Live — Corey Voss & Madison Street Worship (2019) Philippians 2:9-11
The repeated demand that fear, shame, confusion, and lesser powers bow, followed by the explicit naming and exaltation of Jesus, strongly evokes Paul's declaration that every knee will bow at Jesus' name.
Glorious Victorious — Bluetree (2012) Philippians 2:9
The chorus closely reproduces Paul's distinctive description of the supreme name bestowed on the exalted Jesus.
Waiting (spontaneous) — Hillsong Worship (2021) Philippians 2:9-11
The identification of Jesus as possessing the supreme name, together with the congregation's vocal acknowledgment of his lordship and kingship, closely reflects Paul's description of Jesus receiving the name above every name and being universally confessed as Lord.
There Is A Redeemer — Kathy Troccoli (2014) Philippians 2:9
The song directly reproduces Paul's distinctive description of the supreme name bestowed on the exalted Jesus.
Heaven's Gonna Lift You Up — ApologetiX (2022) Philippians 2:9-11
The song directly cites Philippians 2:10 and connects present kneeling before Jesus with the passage's promise that every knee will bow before the exalted Christ.
No Other Name — Big Daddy Weave (2014) Philippians 2:9-11
The chorus and second verse closely adapt Paul's description of Jesus' exaltation, combining the supremacy of his name with universal bowing and confession. These details identify Philippians 2 specifically rather than merely expressing Jesus' authority.
Sweet Jesus — Crowder (2021) Philippians 2:9
The repeated description of Jesus’ name as surpassing every other name closely paraphrases Paul’s declaration of Christ’s supreme exaltation.
Highest One (Live) — Thrive Worship & Bryan & Katie Torwalt (2024) Philippians 2:9-11
The song presents Jesus as possessing the supreme name above every other name, closely reflecting Paul's description of Christ's exaltation.
For The Cause - Live — Keith & Kristyn Getty (2017) Philippians 2:9
The chorus directly uses Paul’s description of God exalting Jesus and giving him supreme authority following his obedient death.
Build My Life — Seventh Day Slumber (2026) Philippians 2:9
The song references Jesus as 'the Name above every other name,' which directly quotes Philippians 2:9, emphasizing His exalted status.
You Reign - Studio Version — Mack Brock (2020) Philippians 2:9-11
The bridge associates the name of Jesus with hostile powers bowing before him, closely invoking Paul’s vision of every realm acknowledging Christ’s supreme lordship at his name.
I Trust In Jesus — Celtic Worship (2021) Philippians 2:9-11
The song closely follows Paul’s description of Jesus receiving the supreme name, universal submission before him, and every tongue confessing that he is Lord.
Yesu - Live — Keith & Kristyn Getty & African Children's Choir & Sing! (2021) Philippians 2:9-11
The song connects the supreme power of Jesus’ name with the universal bending of every knee, closely following Paul’s description of Jesus’ exaltation and universal acknowledgment.
Build My Life — Pat Barrett (2018) Philippians 2:9-11
The declaration that Jesus possesses the supreme name closely parallels Paul’s description of God exalting Jesus and giving him the name above every name.
Prepare Him Room — Sovereign Grace Music (2014) Philippians 2:9-11
The closing praise of Christ's supreme name closely reproduces Paul's description of his exaltation. Its placement after the account of Christ's death also follows the passage's movement from humiliation to exaltation.
Worship — Diamonds to Dust (2017) Philippians 2:9-11
The description of Christ possessing the supreme name, followed by kneeling and confessing him as Lord, closely reflects Paul’s proclamation of Christ’s exaltation and universal lordship.
Rise - Live — Hillsong Worship, Joel Houston (2011) Philippians 2:9-11
The portrayal of the entire universe kneeling, together with the exaltation of Jesus’ name, strongly echoes Paul’s description of every knee bowing and every tongue acknowledging Jesus as Lord.
My Refuge — Bryan & Katie Torwalt (2026) Philippians 2:9-11
The post-chorus applies Paul’s exaltation language directly to Jesus, identifying him as bearing the supreme name before which every competing authority is subordinated.
One And Only — TAYA (2025) Philippians 2:9
The phrase 'Name above every name' echoes Philippians 2:9, which speaks of God exalting Jesus and giving Him the name that is above all names.
Hay Un Gran Rey (There Is A King) — Elevation Worship, Elevation Español (2020) Philippians 2:9-11
The confession that Jesus bears the supreme name and reigns above every ruler closely paraphrases Paul's declaration of Christ's exaltation and universal lordship.
One (Live) — Bethel Music, Brian Johnson (2025) Philippians 2:9
The song references the supremacy of Jesus as 'One Name over all names,' which aligns with Philippians 2:9, where God exalts Jesus and gives Him the name above every name.
We Need a Miracle — Charity Gayle (2021) Philippians 2:9-11
The outro exalts Jesus as possessing supreme status over every other name, reflecting Paul’s description of Christ’s divinely bestowed exaltation.
Here’s to the One — Hillsong UNITED (2019) Philippians 2:9-11
The repeated exaltation of Jesus’ name over everything closely reflects Paul’s declaration that God bestowed on Jesus the supreme name before which all creation will bow.
Upon Him - Live — Matt Redman (2020) Philippians 2:9-11
The bridge identifies Jesus as possessing the supreme name and anticipates universal kneeling and confession before him, directly following Paul’s description of Christ’s exaltation.
How Great Is Our God — Worship Together (2012) Philippians 2:9
The bridge closely adapts Paul's description of the supreme name bestowed upon the exalted Christ.
Lovely — Chris Tomlin (2010) Philippians 2:9
The bridge closely adapts Paul's description of Jesus receiving the supreme name. Its placement after the crucifixion imagery also follows the passage's movement from Christ's death to his exaltation.
Christmas Worship Medley — Israel & New Breed (2023) Philippians 2:9-11
The declaration that every knee will bow at Jesus’ exalted name directly invokes Paul’s description of universal submission to Christ.
Our God — Worship Together (2012) Philippians 2:9
The bridge closely reproduces Paul's description of the supreme status of the name bestowed on the exalted Jesus.
Glorify You Alone — Gateway Worship (2010) Philippians 2:9-11
The declaration that all knees will bow before Jesus closely adapts Paul's description of universal submission to the exalted Christ. The song adds a throne setting to that declaration.
All Around the World — Elevation Worship (2008) Philippians 2:9-11
The song presents Jesus’ name as supreme over every other name and envisions widespread praise directed to him, closely reflecting Paul’s declaration of Christ’s exaltation and universal acknowledgment.
His Glory and My Good - Live — CityAlight (2024) Philippians 2:9-11
The declaration of Christ's uniquely exalted name closely paraphrases Paul's description of God bestowing on Jesus the name above every name.
You Must Break — Tasha Cobbs Leonard (2022) Philippians 2:9-11
The demand that personified hostile powers kneel before the arriving King evokes Paul's vision of every power bowing under Jesus' supreme authority.
Unto Us — Aaron Shust (2014) Philippians 2:9
The chorus closely adapts Paul's description of the supreme name bestowed on Jesus, expressing his exalted authority.
Just Like Magic — Mike Teezy (2024) Philippians 2:9-11
The description of Jesus' uniquely exalted name echoes Paul's declaration that God bestowed on Christ the name above every other name.
The Name - Live — Planetshakers (2025) Philippians 2:9-11
The song directly invokes Paul's declaration that God exalted Jesus above every name and that every knee and tongue will ultimately acknowledge his lordship.
Isn't He (This Jesus) — The Belonging Co & Natalie Grant (2018) Philippians 2:9-11
The bridge directly invokes Paul’s description of Jesus receiving the supreme name and universal honor. Its surrounding emphasis on exclusive adoration and glorification also reflects the passage’s vision of every creature acknowledging Christ’s lordship.
Unashamed — Matthew West (2024) Philippians 2:9-11
The song invokes Jesus' exalted name and closely reproduces Paul's prediction that every knee will bow and every tongue will confess.
Be Lifted High — Bayside Worship (2021) Philippians 2:9-11
The declaration of Jesus’ unrivaled name, together with the image of hostile powers bowing before him, closely reflects Paul’s account of Jesus receiving the supreme name and universal submission.
What A Worthy Name — Passion & Chidima (2026) Philippians 2:9-11
The bridge closely follows Paul's vision of universal submission and confession at Jesus' exalted name.
Greater — Highlands Worship (2021) Philippians 2:9-11
The linked themes of Jesus being exalted, worshipers bowing, honor given to his name, and his universal lordship closely reflect Paul’s description of the exalted Christ before whom every knee bows and whose lordship brings glory to God.
No One But Jesus (Live) — Lakewood Music & Ramiro Garcia (2024) Philippians 2:9-11
The song applies to Jesus Paul’s declaration that God exalted him and bestowed on him the supreme name before which all creation will bow.
How Great Is Our God (World Edition) — Chris Tomlin (2011) Philippians 2:9
The English-Zulu section closely reproduces Paul's description of the supreme name bestowed on the exalted Jesus.
Hallelujah Here Below — Elevation Worship (2018) Philippians 2:9-11
The anticipated day when every knee submits before Jesus' name directly paraphrases Paul's declaration of universal acknowledgment of Christ's lordship.
Mighty Warrior — Elevation Worship (2014) Philippians 2:9
The bridge links exaltation with a name surpassing every other name, closely adapting Paul's description of Jesus' supreme exaltation.
Rest — Bluetree (2014) Philippians 2:9
The pre-chorus closely reproduces Paul’s description of the supreme name bestowed upon the exalted Christ. The preceding reference to the cross also fits the passage’s movement from Christ’s humiliation to exaltation.
There Is a Name — Bethel Music (2019) Philippians 2:9-11
The bridge combines the supremacy of Jesus’ name with the eventual submission and recognition of all things, closely following Paul’s description of the exalted Christ.
For the Sake of the World — Bethel Music, Brian Johnson (2012) Philippians 2:10-11
The bridge closely adapts Paul's paired descriptions of universal bowing and confession of Jesus' lordship. Its acknowledgment of divine kingship preserves the passage's central meaning while changing the title used.
The Blood Hasn't Ever Changed — Greater Vision (2013) Philippians 2:10-11
The prediction that even unbelieving critics will kneel before Jesus closely reflects Paul's declaration of universal submission to Christ and acknowledgment of his lordship.
Tapestry — Hillsong UNITED (2013) Philippians 2:10
The outro closely adapts Paul's declaration that all will bow before Jesus at the invocation of his name. The explicit association of universal bowing with Jesus' name identifies this passage rather than a general expression of worship.
Matchless — Aaron Shust (2009) Philippians 2:10-11
The hook closely reproduces Paul's declaration that everyone will bow before Jesus and confess his lordship. The explicit identification of Jesus makes Philippians the strongest source rather than the related wording in Isaiah 45:23.
Aleluya (En La Tierra) [Hallelujah Here Below] — Elevation Worship (2019) Philippians 2:10-11
The expectation that every knee will bow appears alongside the confession that Jesus Christ is Lord, closely reproducing Paul's description of universal submission to Christ.
The Name of Jesus — Chris Tomlin (2010) Philippians 2:10-11
The chorus closely adapts Paul’s declaration that every knee will bow at Jesus’s name. The explicit association between Jesus’s name and universal bowing identifies this passage rather than a general theme of worship.
Jesus at the Center — Israel & New Breed (2012) Philippians 2:10-11
The third verse closely reproduces Paul's description of universal bowing and confession in acknowledgment of Jesus Christ's lordship. Its direct address to Jesus makes Philippians the clearest source, rather than the related wording in Isaiah 45:23.
Then He Rose — Elevation Worship (2018) Philippians 2:10-11
The prediction that every knee will bow to the reigning Jesus closely paraphrases Paul’s vision of universal acknowledgment of Christ’s lordship.
The King Is Coming — Newsboys (2012) Philippians 2:10-11
The anticipation of universal kneeling before Jesus closely adapts Paul’s declaration that all will bow before him and acknowledge his lordship.
You Reign — MercyMe (2007) Philippians 2:10-11
The chorus closely adapts Paul's declaration that all knees will bow and all tongues acknowledge Jesus Christ as Lord. Its explicit identification of Jesus makes Philippians the strongest source for this language.
The Name Of Jesus — Aaron Shust (2007) Philippians 2:10-11
The opening closely reproduces Paul's description of universal kneeling before Jesus and confession of his lordship. The Father's approval also reflects the passage's conclusion that this acknowledgment glorifies God the Father.
Worthy — Lifegate Worship (2021) Philippians 2:10-11
The bridge closely follows Paul's declaration that every knee will bow and every tongue confess the lordship of Jesus.
Love Has Come — Mark Schultz (2011) Philippians 2:10-11
The chorus reproduces Paul's paired descriptions of universal kneeling and confession. It adapts the content of that confession to emphasize God's love while retaining the passage's vision of universal acknowledgment of Christ.
Ancient of Days / Open The Eyes of My Heart — CalledOut Music (2025) Philippians 2:10-11
The universal bending of knees and declaration by tongues closely paraphrases Paul’s description of all creation ultimately acknowledging Jesus’ lordship.
Jesus’ Baptism — Neal Morse (2019) Philippians 2:10-11
The declaration that everyone will kneel before Jesus closely invokes Paul's vision of every knee bowing at Jesus' name.
On And On — John Allan (2025) Philippians 2:10-11
The lyrics 'hands up, heart bowed, eyes on heaven' reflect the call for every knee to bow and every tongue to confess that Jesus Christ is Lord, as stated in Philippians 2:10-11.
I Believe In Jesus — Chris Tomlin (2022) Philippians 2:10-11
The bridge invokes the universal bowing before Jesus and acknowledgment of his lordship described in Paul's hymn about Christ's exaltation.
Never Gonna Stop Singing — Soul Survivor & Tom Smith (2016) Philippians 2:10-11
The declaration that every knee will bow before the risen Christ closely parallels Paul's vision of universal acknowledgment of Jesus' lordship.
COUNT ’EM (REMIX) — Brandon Lake (2024) Philippians 2:10-11
The prediction of universal kneeling before Christ closely paraphrases Paul's declaration that every knee will bow and every tongue acknowledge Jesus as Lord.
Sound of Your Kingdom — Jaci Velasquez (2017) Philippians 2:10-11
The expectation that every tongue will confess God’s name closely parallels Paul’s declaration that every tongue will confess Jesus Christ as Lord.
Farther Along — Josh Garrels (2011) Philippians 2:10-11
The paired acts of universal kneeling and verbal confession directly adapt Paul's declaration that all will acknowledge Jesus Christ as Lord. The explicit identification of Christ favors Philippians over the related wording in Isaiah 45:23.
Hymn of the Ages — Rend Collective (2018) Philippians 2:10-11
The depiction of all history and the created order bending before Jesus, together with the confession of His lordship, closely reflects Paul’s vision of every knee bowing and every tongue acknowledging Jesus Christ as Lord.
Go Tell The World - Live — Celebration Music, Lauren Tyler (2024) Philippians 2:10-11
The chorus directly invokes Paul's declaration that all creation will bow before Jesus and confess his lordship.
Says The Lord (Live) — The Belonging Co & Andrew Holt (2023) Philippians 2:10-11
The second verse reproduces Paul's vision of universal submission and confession that Jesus Christ is Lord.
Child Of The Wild — 7 Hills Worship & Kaelob Mecum (2025) Philippians 2:10-11
The bridge's vision of universal submission before God echoes Paul's declaration that every knee will bow and every tongue acknowledge divine lordship.
Jesus The Only (feat. Davide Mutendji) — Tiffany Hudson & Davide Mutendji (2026) Philippians 2:10-11
The song references the concept that every knee will bow and every tongue confess at the name of Jesus, which directly aligns with Philippians 2:10-11, emphasizing His authority and lordship.
The King Is Coming (Live) — Red Rocks Worship & Tyler Roberts (2025) Philippians 2:10-11
The declaration that every knee will bow reflects the teaching in Philippians 2:10-11 about the universal acknowledgment of Jesus' lordship.
Coming Soon — Chris Tomlin (2025) Philippians 2:10-11
The song references the concept that every knee will bow and every tongue confess, which directly aligns with the passage in Philippians that speaks of the universal acknowledgment of Christ's lordship.
No Other Name — Emu Music (2010) Philippians 2:10-11
The final verse closely adapts Paul's paired declarations of universal kneeling and confession of Jesus Christ's lordship, turning the confession into direct address.
Paradise — Jeremy Camp (2013) Philippians 2:10-11
The chorus closely adapts Paul’s description of universal kneeling and verbal acknowledgment of Jesus, culminating in glory given to God. It recasts that acknowledgment as communal praise.
What An Awesome God — Phil Wickham (2025) Philippians 2:10-11
The lyrics reflect the idea that every knee will bow before God, echoing the passage where it states that at the name of Jesus, every knee should bow, affirming His authority.
Turn Your Eyes - Live — Sovereign Grace Music (2019) Philippians 2:10-11
The vision of every knee bowing and every tongue openly glorifying Jesus closely paraphrases Paul's description of universal acknowledgment of Christ's lordship.
Because He's Born — Beckah Shae (2010) Philippians 2:10-11
The declaration of universal bowing and confession closely adapts Paul’s description of every creature acknowledging Jesus’ lordship. The song substitutes Emmanuel and royal titles for the confession’s wording in Philippians.
Love Will Have the Final Word — Jason Crabb (2018) Philippians 2:10-11
The prediction that hate will one day be forced to kneel echoes Paul's declaration that every knee will ultimately bow before Jesus. The song applies that image to hatred as a defeated power rather than directly restating the passage.
Aleluya — Elevation Worship (2026) Philippians 2:10-11
The expectation that every knee will bow is joined to the confession of Jesus as Lord, closely reproducing Paul's description of the universal acknowledgment of Christ.
The Lion and the Lamb — Big Daddy Weave (2015) Philippians 2:10-11
The repeated declaration that everyone will kneel before Jesus closely adapts Paul’s description of universal submission to the exalted Christ.
You Were, You Are — Bluetree (2012) Philippians 2:10-11
The second verse directly adapts Paul’s declaration that everyone will kneel at Jesus’ name and acknowledge his lordship, bringing glory to God.
Hosanna — Chaotic Resemblance (2022) Philippians 2:10-11
The prediction that believers and unbelievers alike will kneel and acknowledge Christ's lordship closely follows Paul's vision of universal submission and confession.
Name Above All Names — Circuit Rider Music & Olivia Stern (2025) Philippians 2:10-11
The song references the idea that every knee will bow and every tongue will confess Jesus as Lord, which directly echoes the passage in Philippians that speaks of the exaltation of Christ and the universal acknowledgment of His lordship.
When He Comes — Johnny Cash (2012) Philippians 2:10-11
The universal bowing and verbal acknowledgment of Christ’s lordship closely reproduce Paul’s wording. The identification of Jesus as Lord makes Philippians the clearest source rather than related passages in Isaiah or Romans.
Release the Sound — Tasha Cobbs Leonard (2020) Philippians 2:10-11
The declaration that every knee will bow directly invokes Paul’s description of universal submission to Jesus.
Hear That Knock — John Pape (2023) Philippians 2:10-11
The declaration that every person will kneel and acknowledge Jesus as Lord closely reproduces Paul’s confession of Christ’s universal lordship.
Father, Son, Holy Ghost — Y Shadey (2025) Philippians 2:10-11
The warning that every knee will eventually bow reproduces the passage's declaration of universal submission to Jesus Christ.
Proclaim (feat. D'Nar) — Todd Galberth & D'Nar (2025) Philippians 2:10-11
The lyrics reference the idea that every knee shall bow and every tongue proclaim, which directly quotes Philippians 2:10-11 regarding the exaltation of Jesus and the recognition of His authority.
All Creatures of Our God and King - Live — Sovereign Grace Music (2017) Philippians 2:10-11
The closing declaration directly invokes Paul’s vision of universal submission to Jesus, in which every knee bows and every tongue acknowledges his lordship.
Turn Your Eyes Reprise - Live — Sovereign Grace Music (2019) Philippians 2:10-11
The universal bending of knees and confession by tongues closely paraphrases Paul's declaration that all creation will acknowledge Jesus Christ as Lord. The song recasts that confession as a unified acclamation of Christ's exclusive glory.
Lord Of My Life - Live — The Belonging Co & Andrew Holt (2023) Philippians 2:10-11
The bridge directly invokes Paul's vision of universal submission to Jesus, with every person bowing and acknowledging his lordship.
Kingdom Come - Live — Covenant Worship & David & Nicole Binion & Joshua Dufrene (2014) Philippians 2:10-11
The first pre-chorus closely adapts Paul’s declaration that every tongue will acknowledge Jesus Christ’s lordship. The bridge’s universal submission reinforces this connection.
King Jesus — Jeremy Camp (2010) Philippians 2:10-11
The bridge's universal bowing and confession of Jesus unmistakably adapt Paul's description of every knee bowing and every tongue acknowledging Jesus' lordship.
End of the World — Kutless (2022) Philippians 2:10-11
The breakdown unmistakably restates the promise that every knee will bow and every person will ultimately acknowledge Jesus, presenting submission as inevitable whether it occurs now or at judgment.
The Church — Bethel Music (2025) Philippians 2:10-11
The expectation that all people will bow before Christ and openly acknowledge him closely paraphrases Paul’s description of universal submission and confession at Jesus’ exaltation.
There Is a Power — Rita Springer (2020) Philippians 2:10-11
The interlude directly invokes Paul's vision of universal submission and confession before Jesus, identifying him as the supreme King.
Count ’Em — Brandon Lake (2023) Philippians 2:10-11
The prediction of universal kneeling before Christ closely echoes Paul’s declaration that every knee will bow and every tongue acknowledge Jesus as Lord.
You Are Forever — ICF Worship (2014) Philippians 2:10-11
The second verse combines universal bowing with universal confession of divine lordship, closely following Paul’s description of all creation acknowledging Jesus Christ as Lord.
Hands on Me — Jekalyn Carr & Mike Teezy (2024) Philippians 2:10-11
The declaration that every knee must bow at the divine name closely reproduces Paul's description of universal submission to Jesus.
He Reigns — BRAG WORSHIP & Trip Lee & Jonathan Traylor (2026) Philippians 2:10-11
The song's declaration that 'knees will bow, tongues will sing' echoes the passage that describes every knee bowing and every tongue confessing that Jesus Christ is Lord.
Psalm 24 (The King Of Glory) — Keith & Kristyn Getty (2016) Philippians 2:10-11
The declaration that every knee will bow and every tongue acknowledge Jesus directly invokes Paul’s description of the universal confession of Christ’s lordship.
A Billion People — Deitrick Haddon (2017) Philippians 2:10-11
The opening directly invokes Paul's declaration that all creation will bow before Jesus and confess his lordship. This universal acknowledgment also supplies the song's central vision of worldwide confession.
O Vimos Subir — Julliany Souza (2025) Philippians 2:10-11
The universal bending of knees before Jesus closely reproduces Paul's depiction of every creature ultimately acknowledging Christ's lordship.
Spirit of Love — Anthony Hamilton (2014) Philippians 2:10-11
The chorus closely adapts Paul's declaration that every knee will bow before Jesus. Its surrounding emphasis on the Savior's kingship makes this Christ-centered passage the strongest match among biblical declarations of universal submission.
King of Glory (Live) — CeCe Winans (2021) Philippians 2:10-11
The opening anticipates universal submission to God’s kingship, closely reflecting Paul’s description of every knee bowing and every tongue acknowledging Jesus Christ as Lord.
Paradise — Isaac Carree (2013) Philippians 2:10-11
Despite apparent transcription errors, the paired references to universal bowing and confession unmistakably evoke Paul's declaration that all will acknowledge Jesus as Lord.
All Hail King Jesus - Live — Bethel Music & Bethany Wohrle (2021) Philippians 2:10-11
The bridge directly adopts Paul’s universal declaration that every knee will bow before Jesus and every tongue will acknowledge him as Lord.
Where We Belong — Hillsong Worship (2008) Philippians 2:11
The refrain adapts Paul's vision of universal confession of Jesus Christ's lordship, expressing that confession as a song offered by every heart.
Running - Live — Hillsong Worship (2012) Philippians 2:11
The opening anticipates universal confession of the divine name, closely echoing Paul’s vision of everyone acknowledging Jesus Christ as Lord. The song substitutes inward acknowledgment for Paul’s emphasis on spoken confession.
Song of Intercession — William McDowell (2011) Philippians 2:11
The anticipated response of the nations reproduces Paul's confession of Jesus' lordship. Its worldwide scope and surrounding emphasis on divine glory reinforce the connection.
Singer's Song — Delirious? (2012) Philippians 2:11
The central refrain reproduces Paul's confession of Jesus Christ's lordship, making that confession the gathering's shared declaration.
Rushing Waters — Aaron Shust (2013) Philippians 2:11
The anticipation that every tongue will proclaim divine sovereignty, together with the nations’ acknowledgment of lordship, adapts Paul's declaration that every tongue will confess Jesus Christ as Lord.
Way Up — Bizzle & Sevin (2018) Philippians 2:11
Sevin’s declaration of Christ’s lordship closely echoes Paul’s climactic confession that Jesus Christ is Lord, presented here as a conviction he would maintain under confinement or threat of death.
Mercy Of God (Live) — The Belonging Co & Mitch Wong (2023) Philippians 2:12
The account of repentance uses Paul’s distinctive expression for approaching one’s salvation with profound reverence and humility.
Devotion — Hillsong UNITED (2007) Philippians 2:12
The opening verse closely adapts Paul's instruction to work out one's salvation, presenting that responsibility through prayerful dependence.
(*Fin) — Anberlin (2007) Philippians 2:12
The opening verse deliberately links salvation with trembling and fear, adapting Paul's instruction about working out salvation. Here, that language expresses distress within a damaged religious experience rather than a straightforward exhortation to obedience.
The Cross Is My Confession — Kari Jobe (2013) Philippians 2:13
The song attributes both the will and the power for spiritual transformation to God's activity within the believer. This closely adapts Paul's statement that God works in believers both to desire and to act according to his purpose.
In the Light — Shane & Shane (2024) Philippians 2:14-15
The desire to shine like heavenly stars closely follows Paul's image of faithful believers shining amid a morally distorted world.
Supernova — Beckah Shae (2011) Philippians 2:15
The song portrays believers as stars whose brightness becomes visible through lives transformed by God. This closely reflects Paul's image of God's children shining like stars amid a morally corrupt world.
Signs Of Life — David Leonard (2019) Philippians 2:15
The communal image of believers shining as stars amid surrounding darkness closely echoes Paul's description of God's children shining like stars within a dark and corrupt world.
Let’s Go — Group 1 Crew (2010) Philippians 2:15
The contrast between a dark world and a person shining like a star closely echoes Paul’s image of believers shining like stars amid a corrupt generation. The surrounding appeal to reject hatred reinforces the image’s ethical context.
Glow in the Dark — Family Force 5 (2014) Philippians 2:15
The chorus compares the singers’ shining to stars in the sky, closely matching Paul’s image of believers shining like stars in the world. This is a specific verbal and visual correspondence, although the song does not develop the passage’s moral context.
Shine Like Stars — Passion (2022) Philippians 2:15
The song’s central image closely follows Paul’s description of believers radiating like celestial lights amid a dark and morally distorted world.

Philippians 2 (King James Version)

¹ If there be therefore any consolation in Christ, if any comfort of love, if any fellowship of the Spirit, if any bowels and mercies,

² Fulfil ye my joy, that ye be likeminded, having the same love, being of one accord, of one mind.

³ Let nothing be done through strife or vainglory; but in lowliness of mind let each esteem other better than themselves.

⁴ Look not every man on his own things, but every man also on the things of others.

⁵ Let this mind be in you, which was also in Christ Jesus:

⁶ Who, being in the form of God, thought it not robbery to be equal with God:

⁷ But made himself of no reputation, and took upon him the form of a servant, and was made in the likeness of men:

⁸ And being found in fashion as a man, he humbled himself, and became obedient unto death, even the death of the cross.

⁹ Wherefore God also hath highly exalted him, and given him a name which is above every name:

¹⁰ That at the name of Jesus every knee should bow, of things in heaven, and things in earth, and things under the earth;

¹¹ And that every tongue should confess that Jesus Christ is Lord, to the glory of God the Father.

¹² Wherefore, my beloved, as ye have always obeyed, not as in my presence only, but now much more in my absence, work out your own salvation with fear and trembling.

¹³ For it is God which worketh in you both to will and to do of his good pleasure.

¹⁴ Do all things without murmurings and disputings:

¹⁵ That ye may be blameless and harmless, the sons of God, without rebuke, in the midst of a crooked and perverse nation, among whom ye shine as lights in the world;

¹⁶ Holding forth the word of life; that I may rejoice in the day of Christ, that I have not run in vain, neither laboured in vain.

¹⁷ Yea, and if I be offered upon the sacrifice and service of your faith, I joy, and rejoice with you all.

¹⁸ For the same cause also do ye joy, and rejoice with me.

¹⁹ But I trust in the Lord Jesus to send Timotheus shortly unto you, that I also may be of good comfort, when I know your state.

²⁰ For I have no man likeminded, who will naturally care for your state.

²¹ For all seek their own, not the things which are Jesus Christ’s.

²² But ye know the proof of him, that, as a son with the father, he hath served with me in the gospel.

²³ Him therefore I hope to send presently, so soon as I shall see how it will go with me.

²⁴ But I trust in the Lord that I also myself shall come shortly.

²⁵ Yet I supposed it necessary to send to you Epaphroditus, my brother, and companion in labour, and fellowsoldier, but your messenger, and he that ministered to my wants.

²⁶ For he longed after you all, and was full of heaviness, because that ye had heard that he had been sick.

²⁷ For indeed he was sick nigh unto death: but God had mercy on him; and not on him only, but on me also, lest I should have sorrow upon sorrow.

²⁸ I sent him therefore the more carefully, that, when ye see him again, ye may rejoice, and that I may be the less sorrowful.

²⁹ Receive him therefore in the Lord with all gladness; and hold such in reputation:

³⁰ Because for the work of Christ he was nigh unto death, not regarding his life, to supply your lack of service toward me.