Revelation 5

Which worship songs are based on Revelation 5?

  1. Is He Worthy - Live — Shane & Shane (2026) Revelation 5:1-12

    The song closely reproduces Revelation 5’s sealed scroll, the uniquely worthy Lion of Judah and Root of David, the slain Lamb, the multinational people ransomed into a kingdom of priests, and the heavenly acclamation of blessing, honor, and glory.

  2. Burn (Live) — Brooke Ligertwood (2022) Revelation 5:1

    The bridge closely follows Revelation's opening blessing and declaration of nearness, then deliberately catalogs its sevenfold imagery: stars, lampstands and churches, seals, thunders, angels, and trumpets.

  3. You’re Good (To Him Who Sits On The Throne) - Live — Maranda Curtis (2024) Revelation 5:1-13

    The song closely follows John's throne-room vision: God is enthroned, the Lamb alone is worthy to open the sealed scroll, heavenly beings proclaim divine holiness, and every creature offers blessing, honor, glory, and power.

  4. Open The Scroll (Only You Are Worthy) [Live] — UPPERROOM & Elyssa Figueroa & Raffi Greco (2025) Revelation 5:1-13

    The song closely follows the vision of the slain Lamb as the only one worthy to open the sealed scroll, culminating in the heavenly attribution of blessing, honor, glory, and power.

  5. Lamb (live) — Elevation Worship (2022) Revelation 5:1-12

    The combination of crowns surrendered before the throne and the Lamb acclaimed as worthy draws unmistakably from Revelation's heavenly worship scene.

  6. Worthy — ReFRESH Worship & Naomi Raine & Nicole Binion (2025) Revelation 5:2-5

    The song references the worthiness to open the scroll, directly alluding to the scene in Revelation where no one is found worthy except the Lamb.

  7. Is He Worthy? — CeCe Winans (2024) Revelation 5:2-12

    The central questions about one who can open the sealed scroll, followed by the titles Lion of Judah, Root of David, and sacrificial Lamb, closely reproduce John’s throne-room vision. The redeemed people from every tribe and nation becoming a kingdom of priests, along with the acclaim of worthiness, blessing, honor, and glory, also comes directly from this passage.

  8. Is He Worthy / Agnus Dei / We Fall Down — Maverick City Music & Nate Moore (2020) Revelation 5:2-6

    The chorus poses the seer's question about who is worthy to break the seals and open the scroll and answers with the Lion of the tribe of Judah and the Root of David who appears as a slain Lamb, paraphrasing John's throne-room vision.

  9. Matchless — Aaron Shust (2009) Revelation 5:5

    The song directly adopts the distinctive animal-and-tribe designation used by the elder to identify the victorious Messiah in John's heavenly vision.

  10. 1,000 Names (Acoustic) — Phil Wickham (2022) Revelation 5:5-6

    The paired images of Judah's royal lion and the victorious sacrificial Lamb unmistakably evoke Revelation's vision of Christ.

  11. Beautiful King — Every Nation Music (2014) Revelation 5:5-6

    The paired animal titles for Jesus unmistakably evoke Revelation’s vision, where the victorious royal figure is revealed as a sacrificial lamb. Their combination identifies the same person through both sovereignty and sacrifice.

  12. Jesus Be Praised — Brandon Lake (2023) Revelation 5:5-10

    The bridge identifies Jesus through Revelation’s paired images of the conquering Lion of Judah and the slain yet victorious Lamb. Its mention of his death and triumph further reflects the passage’s portrayal of the Lamb overcoming through sacrificial death.

  13. Men Of God, Take Up The Sword — Brian Sauvé (2023) Revelation 5:5-6

    The juxtaposition of Judah’s victorious Lion with the slaughtered Lamb unmistakably draws on John’s throne-room vision of Christ.

  14. Yahweh We ❤ ️️You — Elevation Worship (2024) Revelation 5:5-6

    The paired imagery of Judah's royal lion and the sacrificial Lamb unmistakably reflects Revelation's vision of Jesus conquering through being slain.

  15. The Lion and the Lamb — Big Daddy Weave (2015) Revelation 5:5-9

    The paired depictions of Jesus as Judah’s victorious lion and a sacrificed lamb unmistakably reproduce this vision’s central imagery. The emphasis on redemption through his blood also corresponds to the heavenly song in this passage.

  16. How Great Is Our God (World Edition) — Chris Tomlin (2011) Revelation 5:5-6

    The Spanish verse pairs Christ's lion and lamb identities, reproducing Revelation's distinctive juxtaposition: John hears of the victorious lion and then sees a sacrificial lamb.

  17. Lion and the Lamb — Crystal Lewis (2013) Revelation 5:5-6

    The identification of Jesus as both a victorious lion and a sacrificial lamb directly invokes John's vision. The song emphasizes that sovereign authority and sacrificial death belong to the same person.

  18. I See The Lord (Live) — Red Rocks Worship & Kendra Benay (2025) Revelation 5:5

    The song refers to Jesus as 'the Lamb who was slain,' echoing the description of Christ in Revelation as the sacrificial Lamb, emphasizing His role in redemption.

  19. There'll Come A Day — Brian Free & Assurance (2023) Revelation 5:5-6

    The song combines Revelation’s titles for Christ as the Lion from Judah and the slain Lamb, presenting his royal victory as accomplished through sacrificial death.

  20. Jesus Is Risen — Church of the City & Ileia Sharaé (2022) Revelation 5:5-6

    The paired titles of Lion and Lamb draw on Revelation's vision of the conquering Lion of Judah appearing as the sacrificial Lamb. The song uses this paradox to portray Christ's victory through His death.

  21. Spirit of Love — Anthony Hamilton (2014) Revelation 5:5

    The song identifies Christ through the distinctive lion imagery associated with Judah and immediately connects Him with salvation through His blood. Revelation 5 brings together that royal identity and the Lamb's redemption of people through His blood.

  22. Greatness (Live From Passion 2026) — Passion & Brooke Ligertwood (2026) Revelation 5:5-6

    The description of the eternal One together with the victorious Lamb at the throne unmistakably draws on Revelation's heavenly worship scene. It combines the divine title spanning all time with the vision of the slain yet triumphant Lamb receiving universal praise.

  23. 1,000 Names — Phil Wickham (2021) Revelation 5:5-6

    The juxtaposition of Judah's conquering lion with the sacrificial lamb draws directly from John's throne-room vision, where both images identify Jesus.

  24. Marvelous — Circuit Rider Music, Lindy Cofer & Ethan Mizell (2025) Revelation 5:5

    The phrase 'Lion of Judah' used in the song is a direct reference to Jesus as the conquering figure in Revelation 5:5, symbolizing His victory and strength.

  25. Live Up To Your Name — Danny Gokey (2022) Revelation 5:5-6

    The paired titles of Lion and Lamb evoke Revelation's vision of Jesus as both the conquering Lion of Judah and the sacrificial Lamb who was slain.

  26. Easy (feat. Jonsal Barrientes) — Elevation Worship & Jonsal Barrientes (2024) Revelation 5:5

    The Lion of Judah is the messianic title applied to Christ in John's heavenly throne vision.

  27. Jesus Invented Crunk — Hostyle Gospel (2007) Revelation 5:5

    The song identifies Jesus with Revelation’s distinctive image of a lion descended from Judah. Its depiction of him hunting Satan expands that image beyond the verse’s actual scene.

  28. All in All — John Mark Pantana (2017) Revelation 5:5-6

    The juxtaposition of a majestic lion and a humble lamb evokes Revelation’s presentation of Christ as both the Lion of Judah and the sacrificial Lamb.

  29. Yahweh Yahweh — Nathaniel Bassey & Sinach (2021) Revelation 5:5-12

    The paired titles of Christ as Judah's Lion and the sacrificial Lamb evoke Revelation's vision, where the conquering Lion is revealed as the slain Lamb and declared worthy of heavenly praise.

  30. Lord and Friend — CeCe Winans (2024) Revelation 5:5-6

    The chorus combines Revelation 5’s contrasting images of Jesus as Judah’s victorious royal figure and the sacrificial figure standing before the throne.

  31. Behold Him - Live — Citizens & Mission House & REVERE (2021) Revelation 5:5-6

    The chorus joins Revelation's contrasting images of Christ as the conquering Lion and the sacrificial Lamb. Their deliberate pairing points specifically to John's throne-room vision.

  32. Christ Gang — Bizzle (2020) Revelation 5:5-6

    Jesus is identified with both the conquering Lion and the sacrificial Lamb, the paired messianic images revealed in Revelation 5.

  33. In A Little While — CeCe Winans (2024) Revelation 5:5-6

    The movement from Jesus as a sacrificial lamb to Jesus as a royal lion draws on Revelation’s paired images of the Lamb and the Lion of Judah.

  34. I Believe — Evan Craft (2023) Revelation 5:5-6

    The victorious Lamb combines Revelation’s slain Lamb imagery with the announcement that he has conquered.

  35. Who Is This Man - Live — Cody Carnes (2023) Revelation 5:5-6

    The bridge combines Revelation’s images of Christ as Judah’s conquering Lion and the sacrificial Lamb who was slain.

  36. Gilead — Rita Springer (2024) Revelation 5:5-6

    The healer is identified through Revelation’s paired images of Christ as the conquering Lion and the slain Lamb. The reference combines royal power with sacrificial suffering.

  37. Lion Instrumental (live) — Brandon Lake (2024) Revelation 5:5

    The repeated designation of Christ as the lion from Judah directly invokes Revelation’s image of Jesus as the victorious Davidic ruler who is worthy to open the scroll.

  38. That's Who I Praise — Brandon Lake (2024) Revelation 5:5-12

    The bridge joins Revelation's victorious figure from Judah with the sacrificial Lamb and echoes the heavenly declaration that the slain Lamb alone is worthy.

  39. Twelve Gates to the City — Buddy Greene (2010) Revelation 5:5-6

    The pairing of Christ's leonine and lamb imagery points to John's vision, where the announced victorious Lion is revealed as a Lamb bearing the marks of sacrifice.

  40. (Seeing You Again) For the First Time — Corpus Christi (2010) Revelation 5:5

    The identification of Christ as Judah's victorious lion unmistakably invokes the messianic figure announced during John's heavenly vision.

  41. How Great Is Our God — Don Moen (2010) Revelation 5:5-6

    The paired animal images identify Christ through the same striking contrast found in John's vision: the victorious royal figure is revealed as a sacrificial figure.

  42. Vida Longa ao Rei - Ao Vivo — MORADA (2017) Revelation 5:5

    The victorious Lion acclaimed as King evokes Revelation's title for Christ as the Lion from the tribe of Judah who has conquered.

  43. How Great Is Our God — Worship Together (2012) Revelation 5:5-6

    The pairing of lion and lamb identifies Christ through the distinctive juxtaposition in John's throne-room vision: the victorious royal figure is revealed as a sacrificial lamb.

  44. Hallelujah Challenge Praise Medley — Nathaniel Bassey (2021) Revelation 5:5-6

    Presenting Jesus together as Judah's victorious Lion and the sacrificial Lamb unmistakably evokes Revelation's paired images of Christ.

  45. Poderoso — Marcos Witt (2011) Revelation 5:5

    The song identifies Christ through the victorious lion imagery associated with Judah. Revelation 5:5 explicitly uses this royal image and announces his triumph.

  46. Behold Him (feat. Kim Walker-Smith) — Paul Baloche & Kim Walker-Smith (2019) Revelation 5:5-6

    The chorus joins Revelation's royal image of the conquering Lion from Judah with its vision of Jesus as the sacrificial Lamb.

  47. You Are I Am — Sanctus Real (2025) Revelation 5:5-6

    The bridge joins Revelation's images of Jesus as the conquering Lion from Judah and the sacrificial Lamb. Their deliberate pairing points specifically to John's throne-room vision.

  48. Marvelous — Mitch Wong (2025) Revelation 5:5

    The reference to the 'Lion of Judah' in the song connects to Revelation 5:5, where Jesus is depicted as the conquering Lion, symbolizing His victory over sin and death.

  49. LION — Elevation Worship (2022) Revelation 5:5-9

    The song combines the Lion from Judah, the sacrificial Lamb, and Christ’s unique worthiness to open the sealed scroll. This cluster of details unmistakably follows John’s throne-room vision.

  50. Our God — Worship Together (2012) Revelation 5:5-6

    The pairing of leonine royalty with a sacrificial lamb unmistakably evokes John's vision, in which the announced victorious ruler appears as a slain lamb.

  51. Ngonyama (Live) — Dumi Mkokstad (2020) Revelation 5:5

    The repeated address to Christ as the heavenly Lion invokes Revelation’s royal image of Jesus as the conquering Lion of the tribe of Judah. The song develops that image through sustained acclamation of the Lion as sovereign King.

  52. Revelator — Josh Garrels (2011) Revelation 5:5-14

    The combined identities of conquering lion and slaughtered lamb unmistakably identify Revelation's Christ, who receives the scroll containing God's purposes. The vast worshiping assembly, participation of every creature, and promised earthly reign also closely follow this passage.

  53. That's who I praise (from the studio) — Benjamin William Hastings (2025) Revelation 5:5-12

    The paired titles for Christ as Judah’s conquering lion and the sacrificial lamb, together with the declaration of his worthiness, closely reproduce the imagery and worship of Revelation 5.

  54. Bayede Kuwe — Joyous Celebration (2017) Revelation 5:5

    The repeated identification of Jesus as the Lion from Judah directly invokes Revelation’s royal and victorious title for Christ.

  55. Leão de Judá — Julliany Souza (2025) Revelation 5:5

    Jesus is identified by the distinctive apocalyptic title belonging to the victorious descendant of Judah and David. The song contrasts his genuine authority with Satan’s imitation of a lion.

  56. LEÓN (LION) — Elevation Worship, Elevation Español (2022) Revelation 5:5-9

    The song closely combines Revelation's Lion from Judah, the uniquely worthy figure who opens the scroll, and the Lamb slain in sacrifice. These distinctive images unmistakably identify the heavenly throne-room vision.

  57. You Reign Forever — Nqubeko Mbatha (2020) Revelation 5:5

    The title identifying Jesus as Judah’s lion invokes Revelation’s victorious messianic figure, who is worthy to open the sealed scroll.

  58. Yesu - Live — Keith & Kristyn Getty & African Children's Choir & Sing! (2021) Revelation 5:5

    Jesus is identified by the distinctive royal and victorious title Lion of Judah, the messianic image used for Christ in Revelation.

  59. Fairest Jesus — Chaotic Resemblance (2021) Revelation 5:5-6

    Jesus is identified through Revelation’s paired images of the victorious Lion of Judah and the sacrificial Lamb who appears slain.

  60. The Roar — Chris Tomlin (2014) Revelation 5:5

    The repeated identification of Christ through Judah's lion imagery directly invokes Revelation's description of the victorious Messiah who can open the sealed scroll. The roaring develops that image rather than reproducing an action described in this verse.

  61. Blood — American Arson (2023) Revelation 5:5

    The capitalized Lion presented alongside the coming King evokes Revelation's title for Christ as the Lion of the tribe of Judah.

  62. This Is My Beloved — Matt Gilman (2013) Revelation 5:6-9

    The combination of a Lamb who has been killed yet lives and the response of renewed singing closely follows John's throne-room vision. There, the Lamb stands despite bearing the marks of slaughter and receives a new song of praise.

  63. Hands of the Healer — John Waller (2009) Revelation 5:6-12

    The combination of a sacrificed Lamb, redemption purchased through blood, and worship ascribing glory strongly echoes Revelation’s vision of the slain Lamb. This cluster of images is more specific than a general reference to Christ’s sacrifice.

  64. Passover Prophecy — Chaotic Resemblance (2022) Revelation 5:6

    The closing confession combines Paul’s explicit identification of Christ as the sacrificed Passover with Revelation’s portrayal of Jesus as the slain Lamb.

  65. The Worthy One - Live — New Life Worship, Lauren Smith (2024) Revelation 5:6-12

    Identifying Jesus simultaneously as the Lamb and the one worthy to receive worship unmistakably evokes Revelation's heavenly vision of the slain Lamb acclaimed as worthy.

  66. He Is Our God - Live — Sovereign Grace Music (2017) Revelation 5:6-13

    The bridge closely follows Revelation’s throne-room worship, identifying the eternal enthroned ruler and the slain Lamb as the recipients of glory. The combined imagery and doxology unmistakably draw from the worship scenes of Revelation 4–5.

  67. He Is Lord — Hillsong Worship (2008) Revelation 5:6

    The opening identifies Jesus with Revelation’s sacrificial Lamb, whose death is followed by heavenly honor and everlasting worship.

  68. God In Carolina — Sam Purpose (2024) Revelation 5:6

    The song identifies Christ as the sacrificial Lamb whose death and blood bring redemption and transformation, closely reflecting Revelation’s vision of the slain Lamb who purchases people for God.

  69. Hallelujah for the Cross — Newsboys (2014) Revelation 5:6-13

    The combination of a slain Lamb, people purchased through his sacrifice, and praise extending across heaven and earth closely reflects Revelation’s vision. These linked images make the connection more specific than a general reference to redemption.

  70. The Kingdom of Jesus — The Porter's Gate (2024) Revelation 5:6

    The slain Lamb who rules and receives wisdom, honor, glory, and strength comes directly from John’s heavenly throne-room vision.

  71. Don't Go! — Aklesso & Wxlf (2025) Revelation 5:6

    The song references 'the lamb who raised on the third day,' which directly alludes to the imagery of Jesus as the Lamb of God in Revelation, particularly in the context of His resurrection.

  72. Crowns Down - Live — Josh Baldwin (2024) Revelation 5:6-13

    The image of the enthroned Lamb receiving an enduring song from the heavenly assembly directly evokes Revelation’s vision of universal worship offered to the worthy Lamb.

  73. No One Like The Lord (We Crown You) - Live — Circuit Rider Music & Eniola Abioye & Black Voices Movement (2024) Revelation 5:6-14

    The song closely follows John's vision of the slain Lamb receiving worship, with the elders and living creatures honoring him before the heavenly throne.

  74. Crown Him (Christmas) — Chris Tomlin (2021) Revelation 5:6-13

    The image of the Lamb associated with the heavenly throne and surrounded by an overwhelming anthem of worship draws directly from Revelation’s throne-room vision.

  75. The Sacrifice Lamb — Joshua Aaron (2010) Revelation 5:6

    The chorus presents Jesus as the slain Lamb whose blood brings redemption, closely matching Revelation’s identification of the Lamb and the saving significance of his sacrificial death.

  76. The Glories of Calvary — Sovereign Grace Music (2014) Revelation 5:6

    The portrayal of Jesus as a living, sacrificial Lamb receiving shared praise from heaven and earth closely reflects Revelation’s vision of the slain Lamb standing alive and receiving universal worship.

  77. King Jesus (Live) — Brooke Ligertwood (2022) Revelation 5:6-12

    The repeated presentation of Jesus as both slain and worthy draws directly from the heavenly worship of the sacrificed yet living Lamb in Revelation 5.

  78. The Passion — Hillsong Worship (2018) Revelation 5:6-12

    The identification of Jesus as the slain Lamb whose blood brings forgiveness and who receives everlasting honor closely follows Revelation’s vision of the Lamb who was killed, redeemed people by his blood, and is worthy of universal praise.

  79. Heaven's Song — Bethel Music & Jeremy Riddle (2014) Revelation 5:8-14

    The song identifies the sacrificial Lamb as worthy precisely because of His saving death. This closely follows the heavenly praise of the slain Lamb, with living creatures and elders participating in worship.

  80. Hear My Song, Lord — Gaither Vocal Band (2019) Revelation 5:8

    The portrayal of the congregation’s worship rising like incense to God’s throne closely reflects Revelation’s vision of incense representing the prayers of the saints before the heavenly throne.

  81. Worthy — Housefires (2023) Revelation 5:8-12

    The combination of an ascending fragrance, worship expressed through song, and repeated declarations of divine worth closely resembles the heavenly worship scene, where incense accompanies praise of the One who is worthy. The song adapts the incense imagery from the prayers of the saints to the worshipers’ love.

  82. Heaven's Gonna Lift You Up — ApologetiX (2022) Revelation 5:8-14

    The explicit reference to Revelation 5 frames Christ as the slain, worthy Lamb receiving heaven's worship. The surrender of heavenly crowns also closely reflects the elders' worship in the preceding throne-room scene.

  83. High and Lifted Up — Hillsong Worship (2008) Revelation 5:9-14

    The combination of tribes, nations, and all creation offering worship to the Lamb closely reflects Revelation’s heavenly worship scene. The connection rests on this cluster of specific images rather than on universal worship alone.

  84. Give Reverence & Honor & Praise — Dennis Jernigan (2008) Revelation 5:9

    The description of people being purchased for God through Jesus’ blood closely adapts the heavenly song celebrating the Lamb’s sacrificial redemption.

  85. He Reigns — Newsboys (2008) Revelation 5:9

    The opening verse combines the singing of redeemed people with a distinctive enumeration of tribes, languages, and nations. This closely echoes the new song celebrating the Lamb’s redemption of people from every human community.

  86. I Desire Jesus - Live — Hillsong Worship (2012) Revelation 5:9

    The movement from the Lamb’s blood-bought redemption to declarations of his worthiness for honor, glory, and praise closely follows the heavenly worship of the slain Lamb in Revelation.

  87. Porcelain — Haste the Day (2008) Revelation 5:9

    The repeated depiction of the Savior purchasing the condemned woman's soul through His blood closely parallels the Lamb purchasing people for God through His blood. This is a specific redemption image, rather than merely a general reference to divine mercy.

  88. The First Noel — Carrie Underwood (2008) Revelation 5:9

    The final verse's description of humanity being purchased through Christ's blood closely adapts the heavenly song celebrating the Lamb's redemption of people through his blood.

  89. Heartbeat — Beckah Shae (2014) Revelation 5:9

    The opening closely reproduces the heavenly song praising the Lamb for redeeming people for God through his blood, explicitly naming their diverse ethnic, linguistic, and national origins.

  90. Rise with the Sun — CityAlight (2025) Revelation 5:9-10

    The slain Lamb receiving praise from redeemed people of many nations and languages unmistakably reflects Revelation’s vision of Christ purchasing a worldwide people who will reign with him.

  91. Hymn Of Heaven - Live — Brian Johnson & Bethel Music & Zahriya Zachary (2021) Revelation 5:9-13

    The intergenerational heavenly assembly acclaiming the slain Lamb and his everlasting rule unmistakably reflects Revelation's throne-room worship.

  92. His Blood Still Works — VaShawn Mitchell (2011) Revelation 5:9

    The refrain identifies the sacrificial Lamb’s blood as the means of personal redemption, closely adapting the heavenly song that credits the slain Lamb with redeeming people through his blood.

  93. Sing of My Redeemer — Aaron Shust (2011) Revelation 5:9

    The combination of communal singing, the sacrificial Lamb, and redemption accomplished through his blood closely reflects the heavenly worship song addressed to the slain Lamb.

  94. Unto the Lamb — Chaotic Resemblance (2020) Revelation 5:9-13

    The chorus draws directly from Revelation’s throne-room worship of the Lamb who was slain and is worthy to receive universal praise. Its emphasis on the Lamb’s reign and worship from every nation further anchors the song in this passage.

  95. My Next Breath (Acoustic) — Hawk Nelson (2011) Revelation 5:9

    The chorus describes redemption as a purchase accomplished through Christ’s blood, closely adapting the heavenly song addressed to the Lamb.

  96. Your Praise Goes On — Crowder (2022) Revelation 5:9

    The summons for every tribe and language to sing reflects Revelation’s vision of people from every tribe, language, people, and nation joining heavenly worship.

  97. Breaking Through — Bethel Music, Jeremy Riddle (2013) Revelation 5:9

    The bridge’s description of people ransomed through Christ’s blood closely parallels the heavenly song praising the slain Lamb for purchasing people for God.

  98. He Who Is To Come - Live From Passion 2025 — Kristian Stanfill & Passion & Brooke Ligertwood (2025) Revelation 5:9-12

    The declaration that the slain Lamb alone is worthy, followed by a list of glory, honor, wealth, wisdom, strength, and power, closely follows the heavenly worship of the Lamb.

  99. I Lay It Down — Tasha Layton (2023) Revelation 5:9

    The song presents Christ’s blood as the price by which the believer was purchased, closely paralleling the heavenly song of redemption through the Lamb’s blood.

  100. Great Jehovah — Travis Greene (2019) Revelation 5:9

    The song combines Christ's worthiness with the claim that his blood paid to secure a people and their freedom. This closely reflects the heavenly song honoring the slain Lamb who purchased people for God by his blood.

  101. Pure Exaltation — Vertical Worship (2020) Revelation 5:9-14

    The chorus echoes the heavenly worship of Revelation 5, where Jesus is acclaimed as worthy and receives praise, glory, and worship forever.

  102. You're Good (To Him Who Sits On The Throne) — Maranda Curtis (2024) Revelation 5:9

    The song closely adopts Revelation’s heavenly worship scene: God is enthroned, the Lamb is uniquely worthy to open the sealed scroll, creation joins in praise, and blessing, honor, glory, and power are ascribed eternally to God and the Lamb.

  103. The Great Overcomer — Aaron Shust (2015) Revelation 5:9

    The opening combines multilingual, multitribal worship with collective singing, closely recalling the heavenly song celebrating the Lamb’s redemption of people across ethnic and linguistic boundaries.

  104. Yes I Am — Christian Paul (2023) Revelation 5:9

    The declaration of having been purchased through Christ’s blood closely parallels the heavenly song celebrating the Lamb’s sacrificial redemption of people for God.

  105. Worthy One - Live — Sovereign Grace Music (2019) Revelation 5:9-13

    The song closely follows John's throne-room vision: an innumerable heavenly assembly worships the slain Lamb, who redeemed a multinational people by his blood and receives worthiness, honor, glory, power, and dominion.

  106. Across the Lands — Keith & Kristyn Getty (2013) Revelation 5:9

    The concluding gathering of redeemed people from diverse tribes, languages, and nations closely adapts the heavenly song celebrating the Lamb's worldwide redemption.

  107. You Were, You Are — Bluetree (2012) Revelation 5:9

    The gathering of nations, tribes, and languages alongside all living creatures in worship closely echoes Revelation’s universal praise of God and the Lamb.

  108. O For a Thousand (Hallelujah) — Gateway Worship (2010) Revelation 5:9-13

    The heavenly assembly singing before the throne, particularly its distinctive numerical description, closely recalls Revelation’s vision of countless worshipers praising God and the slain Lamb.

  109. Revelation Song — Newsboys (2011) Revelation 5:9-13

    The opening directly reproduces the heavenly acclamation of the sacrificed Lamb's worthiness and invokes the new song sung before him. The later enumeration of praise and participation of creation closely follow this passage's expanding worship.

  110. The First Noel — Sleeping At Last (2017) Revelation 5:9

    The closing verse describes humanity as purchased through Christ’s blood, closely reflecting Revelation’s praise of the slain Lamb who acquired a people for God by his blood.

  111. You Made a Way — Matt Gilman (2013) Revelation 5:9

    The final bridges reproduce the heavenly song’s enumeration of peoples redeemed through the Lamb’s blood and its declaration of the Lamb’s worthiness. Both elements directly identify the worship scene in Revelation 5.

  112. Amen — Steven Curtis Chapman (2015) Revelation 5:9

    The chorus describes believers as purchased through Christ’s blood and belonging to God, closely matching the heavenly song celebrating the Lamb’s purchase of people for God.

  113. Digno (Worthy) — Elevation Worship, Elevation Español (2019) Revelation 5:9-12

    The combined emphasis on Christ’s worthiness and on people being purchased through his sacrificial death closely follows the worship of the slain Lamb in Revelation 5.

  114. I Am Your Beloved - Live — Jonathan David Helser, Melissa Helser (2022) Revelation 5:9

    The confession of having been purchased by Christ's blood closely reflects the heavenly song celebrating the Lamb's sacrificial purchase of people for God.

  115. I Was Made To Glorify Your Name — Maverick City Music & Dante Bowe & Grace Idowu (2026) Revelation 5:9-13

    The bridge evokes Revelation’s heavenly worship scene, where a new song is offered to Jesus as the worthy recipient of universal praise and glory.

  116. 1000 Tongues — Vertical Worship (2017) Revelation 5:9-13

    The united praise of heaven and earth before one throne, together with the repeated declaration of divine worthiness, closely reflects Revelation’s vision of universal worship before God and the Lamb.

  117. Revelation Song - Live — Citizens & Mission House & REVERE (2021) Revelation 5:9-13

    The opening and second verse closely follow the heavenly worship of the slain Lamb, including the new song and the offering of blessing, honor, glory, and power.

  118. The King In All His Beauty — Matt Boswell & Matt Papa & Sing! (2020) Revelation 5:9-13

    The reigning Lamb, the redeemed from every tribe and language, and the acclamation of worthiness, honor, power, wisdom, and blessing closely reproduce Revelation’s worship of the slain Lamb.

  119. He Who Is To Come (Live From Passion 2024) — Kristian Stanfill & Passion (2024) Revelation 5:9-12

    The third verse closely follows the heavenly worship of the slain Lamb, including the specific sequence of worthiness, wealth, wisdom, power, honor, glory, and praise.

  120. He is Worthy - Live — Sovereign Grace Music (2019) Revelation 5:9-13

    The repeated threefold declaration of holiness, the title Lord Almighty, the worthy Lamb, and the ascription of glory, honor, power, and praise unmistakably draw from the worship surrounding God's heavenly throne.

  121. Bond Of Your Love — People of the Earth (2019) Revelation 5:9

    The portrayal of a diverse people gathered through a blood-purchased redemption directly paraphrases the heavenly worship scene where the Lamb ransoms a people for God by his blood.

  122. The King in All His Beauty - Live — Sovereign Grace Music (2019) Revelation 5:9-13

    The reigning Lamb, the peoples from every tribe and language, and the ascription of worth, honor, wisdom, power, and blessing closely reproduce the worship scene surrounding the slain Lamb in Revelation 5.

  123. One Life to Lose — Laura Story (2011) Revelation 5:9

    The description of being purchased through Christ’s blood closely echoes the heavenly song declaring that the slain Lamb purchased people for God through his blood. This is a specific redemption image rather than merely a general statement about belonging to God.

  124. Forever We Worship — Sean Feucht (2018) Revelation 5:9-14

    The combined language of Jesus' worthiness, the giving of glory and honor, and unending worship closely echoes the heavenly doxologies offered to God and the Lamb in Revelation 4–5.

  125. Hey Girl — Anne Wilson (2022) Revelation 5:9

    The description of redemption as a purchase accomplished through blood closely reflects the heavenly song celebrating Christ's sacrificial purchase of a people for God.

  126. I Belong to God — Big Daddy Weave (2015) Revelation 5:9

    The chorus identifies Jesus' blood as the means by which people are purchased and belong to God. This closely adapts the heavenly song celebrating the Lamb's purchase of people for God through His sacrificial blood.

  127. Never Gonna Stop Singing — Soul Survivor & Tom Smith (2016) Revelation 5:9

    The bridge echoes the heavenly song celebrating Christ's redemption of people from every tribe, language, people, and nation.

  128. Sing The Name (Live) — The Belonging Co & Henry Seeley (2023) Revelation 5:9-12

    The designation of Jesus as the worthy Lamb reflects Revelation’s heavenly worship scene, where the slain Lamb is declared worthy to receive honor and praise.

  129. First Noel — Scotty McCreery (2012) Revelation 5:9

    The final verse describes humanity's redemption as a purchase accomplished through Christ's blood, closely adapting the heavenly song about the slain Lamb purchasing people for God.

  130. That Was Then, This Is Now — Josh Wilson (2015) Revelation 5:9

    The chorus describes redemption as purchase through Christ’s blood and places that declaration alongside the saints’ singing. This combination closely reflects the heavenly song praising the Lamb for purchasing people for God through his blood.

  131. He Who Is To Come — Kristian Stanfill & Passion & Cody Carnes (2023) Revelation 5:9-12

    The declaration that the slain Lamb alone is worthy to receive wealth, honor, wisdom, power, glory, and praise closely reproduces the throne-room worship of Revelation 5.

  132. Jesus' Blood - Live — LIFE Worship (2014) Revelation 5:9-12

    The chorus describes redemption as a purchase accomplished through Christ’s blood, matching the heavenly song in Revelation. The bridge makes the connection unmistakable by depicting angelic worship and declaring the sacrificial Lamb deserving of praise.

  133. The First Noel — David Crowder Band (2011) Revelation 5:9

    The final verse describes humanity being purchased through Christ’s blood, closely adapting the heavenly song that praises the Lamb for purchasing people for God through his blood.

  134. Only One God — Chris Quilala (2016) Revelation 5:9-14

    The combination of unique worthiness, universal creation offering worship, and creatures falling before the enthroned ruler closely parallels Revelation’s heavenly worship scene.

  135. Glory Rising — Every Nation Music (2014) Revelation 5:9

    The chorus's pairing of tribes and languages recalls the peoples redeemed by the Lamb. Its emphasis on the Son's glory and worldwide mission reinforces this connection.

  136. Revelation Song — Guy Penrod (2014) Revelation 5:9

    The opening combines the heavenly assembly's new song with its declaration of the sacrificed Lamb's worthiness. The second verse's accumulated attributes of praise and the chorus's participation with creation also closely follow this passage.

  137. Forever and a Day — Bethel Music & Jenn Johnson (2011) Revelation 5:9

    The chorus joins worship of the sacrificed Lamb with the singer’s redemption. This closely reflects the heavenly worship declaring that the Lamb’s death purchased people for God and makes him worthy of praise.

  138. Hear the Hallelujahs Roar - Live — CityAlight (2025) Revelation 5:9-12

    The multinational chorus and its declaration of Christ's worthiness closely follow the throne-room praise offered to the slain Lamb by people from every nation and language.

  139. Great Is the Chorus — Aaron Shust (2013) Revelation 5:11-12

    The chorus depicts a multitude of angels worshipping around the heavenly throne and proclaiming worthiness. This closely matches John's vision of the angelic multitude acclaiming the Lamb.

  140. Be Unto Your Name — I.D.O.4. (2021) Revelation 5:11-13

    The combination of heaven bowing in worship and a doxology assigning honor, might, and power to God evokes Revelation's throne-room worship, where heavenly beings bow and acclaim God with closely corresponding attributes.

  141. Jesus Shall Reign — I.D.O.4. (2021) Revelation 5:11-14

    God’s people bowing and ascribing honor, power, and glory evokes Revelation’s throne-room scene, where heavenly and earthly worshipers offer these attributes to God and the Lamb.

  142. Glory Is Yours — Elevation Worship (2014) Revelation 5:11-13

    The opening adapts the heavenly acclamation that attributes blessing, honor, strength, and power to the Lamb and offers eternal praise. The later depiction of angels witnessing heavenly worship reinforces this connection.

  143. Hallelujah Here Below — Elevation Worship (2018) Revelation 5:11-13

    The vision of countless angels surrounding God's throne and offering unending praise closely follows John's heavenly throne-room vision.

  144. My Savior's Love (What Tongue Could Tell) — Matt Boswell & Matt Papa (2019) Revelation 5:11-13

    The description of angelic praise centered on the worthiness of the Lamb unmistakably evokes Revelation’s heavenly worship of the slain and exalted Christ.

  145. O Holy Night/Holy Forever — Bethel Music (2025) Revelation 5:11-13

    The ceaseless acclamation of God’s holiness by angels and all creation combines the heavenly worship scenes of Revelation 4 and 5.

  146. Amen Of Heaven (Live) — VIVE Worship (2024) Revelation 5:11-12

    The repeated acclamation of the Lamb's worthiness directly echoes the heavenly multitude worshiping the slain Lamb in John's throne-room vision.

  147. A Million Hallelujahs — Bridge Worship (2023) Revelation 5:11-13

    The unending threefold declaration of God's holiness and worth, joined by all creation, closely reflects the worship surrounding God's throne and the Lamb in Revelation.

  148. That's My King — Bridge Worship & Lloyd Nicks (2022) Revelation 5:11-13

    The combined praise of angels, heaven, earth, and successive ages, centered on divine worthiness, honor, and glory, closely reflects John's vision of angels and all creation worshiping before God's throne.

  149. Ogo — Dunsin Oyekan & THEOPHILUS SUNDAY (2024) Revelation 5:11-13

    The song’s continual ascription of glory and praise to the Lamb closely reflects the heavenly worship scene in which all creation honors the slain Lamb eternally.

  150. Just One More Soul — Greater Vision (2012) Revelation 5:11

    The depiction of angels gathered around the heavenly throne echoes John's vision of angels surrounding the throne. The song combines this setting with Luke's teaching about rejoicing over repentance.

  151. Alleluia (All About Jesus) - Live — Planetshakers (2025) Revelation 5:11-14

    The combined imagery of angels bowing, the whole created order praising Jesus, eternal worship, and a concluding amen closely reflects Revelation’s heavenly worship scenes around the throne and the Lamb.

  152. That's My King — CeCe Winans (2024) Revelation 5:11-13

    The combined imagery of angels, heaven and earth offering universal praise, along with declarations of worthiness, glory, and honor, closely reflects the cosmic worship surrounding God's throne in Revelation 5.

  153. Endless Praise — Charity Gayle (2021) Revelation 5:11-13

    The repeated declaration of the Lamb’s worthiness directly reflects the heavenly multitude’s worship of the slain Lamb in Revelation 5.

  154. Symphony — Newsboys (2019) Revelation 5:11-13

    The vision of heaven and all creation joining in unending praise to Jesus closely reflects Revelation’s universal worship of the risen Lamb.

  155. Worship The Lamb — Jessa Anderson (2011) Revelation 5:11-14

    The invitation to worship Jesus as the Lamb recalls Revelation's heavenly assembly honoring the Lamb. The worship context makes this passage a stronger match than passages that simply identify Jesus as a lamb.

  156. Earth And Heaven Roar - Live — Bryan McCleery (2024) Revelation 5:11-13

    The united worship of angels, saints, heaven, and earth, together with the declaration of divine worthiness, honor, and power, closely follows John's vision of universal worship before the throne.

  157. How Shall I Sing? - Live — Keith & Kristyn Getty (2017) Revelation 5:11-13

    The chorus closely follows John's vision of innumerable angels surrounding God's throne, followed by every creature joining in praise of God and the Lamb.

  158. I Will Rise — Chris Tomlin (2008) Revelation 5:11-12

    The bridge reproduces the angels' declaration of the Lamb's worthiness. Its surrounding description of many angelic voices specifically matches John's heavenly worship scene.

  159. Endless Alleluia — Cory Asbury (2018) Revelation 5:11-13

    The joining of earthly voices, all creation, and Heaven in ceaseless praise evokes Revelation's vision of heavenly beings and every creature worshiping together without interruption.

  160. What A God (Extended) - Live — SEU Worship, ONE HOUSE, Kenzie Walker, Chelsea Plank, Roosevelt Stewart (2024) Revelation 5:11-13

    The scene of God enthroned while angels and the inhabitants of heaven and earth worship Him closely reflects John’s vision of universal adoration surrounding the heavenly throne.

  161. My Savior's Love (What Tongue Could Tell) - Live — Keith & Kristyn Getty & Matt Papa & Sing! (2020) Revelation 5:11-12

    The combination of innumerable angels offering praise and proclaiming the sacrificial Lamb worthy closely evokes the heavenly worship scene surrounding Christ in Revelation 5.

  162. Worthy, Worthy — Vertical Worship (2013) Revelation 5:11-13

    The chorus closely adapts the heavenly creatures’ declaration of God’s holiness and almighty identity in Revelation 4:8. Its widening chorus of heavenly and universal praise also recalls the proclamation of worthiness and creation-wide worship in Revelation 5:11-13.

  163. Holy (Song Of The Ages) - Live — The Belonging Co & Andrew Holt (2020) Revelation 5:11-13

    The chorus combines the living creatures' threefold proclamation of God's holiness and eternal being with the heavenly multitude's acclamation of the Lamb. The surrounding throne, angels, saints, and creation-wide worship further establish Revelation 4–5 as the source.

  164. Step Into the Water — Ernie Haase & Signature Sound (2010) Revelation 5:11-12

    The invitation to participate in angelic praise of Jesus as the Lamb specifically recalls the heavenly worship depicted in Revelation.

  165. Hail to the King — Don Moen (2009) Revelation 5:12-13

    The chorus combines worship of the Lamb, the heavenly throne, praise spanning heaven and earth, and the attribution of power and strength. This cluster closely follows Revelation's cosmic acclamation of the Lamb and the enthroned God.

  166. Worthy Is the Lamb — Brian Johnson (2010) Revelation 5:12

    The repeated opening declaration directly reproduces the heavenly acclamation of the sacrificed Lamb. In Revelation, the heavenly assembly proclaims his worthiness to receive honor, glory, and blessing.

  167. Holy Roar — Chris Tomlin (2018) Revelation 5:12

    The bridge directly adopts the heavenly assembly’s acclamation of Jesus as the sacrificial Lamb deserving worship.

  168. Who You Are to Me — Chris Tomlin (2020) Revelation 5:12

    The bridge closely restates Revelation's heavenly proclamation that the sacrificial Lamb is worthy, identifying that Lamb with Jesus.

  169. Jesus Forever — Elevation Worship (2014) Revelation 5:12-13

    The second bridge closely adapts the heavenly acclamation that attributes glory, honor, power, and strength to the Lamb. Its accompanying depiction of the eternally enthroned ruler echoes the praise offered to God and the Lamb in the following verse.

  170. No One Like The Lord - Live At Church — Bethel Music, Hannah Waters (2025) Revelation 5:12

    The phrase 'Worthy is the Lamb' directly quotes Revelation 5:12, which proclaims the worthiness of Jesus as the sacrificial Lamb.

  171. Holy Forever — Seventh Day Slumber (2026) Revelation 5:12

    The song evokes imagery of angels crying 'Holy' and creation worshiping, which aligns with the depiction of heavenly beings praising the Lamb in Revelation.

  172. WORTHY — Zauntee (2025) Revelation 5:12

    The song explicitly references the worthiness of Jesus, echoing the proclamation found in Revelation where Jesus is declared worthy to receive praise and honor.

  173. Precious Love — Chris Tomlin (2022) Revelation 5:12

    The bridge directly adopts Revelation's heavenly acclamation of the slain Lamb's worthiness and places it within everlasting worship.

  174. Revelation — Crystal Lewis (2011) Revelation 5:12

    The verses closely reproduce the heavenly declaration of the slain Lamb’s worthiness, retaining most of the passage’s enumeration of the honors and authority he deserves.

  175. Behold The Lamb — David Phelps (2010) Revelation 5:12-13

    The declaration of the Lamb’s worthiness directly echoes the heavenly acclamation. The accompanying call for praise throughout heaven and earth also reflects the creation-wide worship that follows.

  176. Christmas Worship Medley — Israel & New Breed (2023) Revelation 5:12-13

    The medley closely reproduces the heavenly worship of Revelation, including the threefold acclamation of God’s holiness and the praise offered to the slain Lamb as worthy of glory and honor.

  177. Holy Forever - Spontaneous — Housefires (2024) Revelation 5:12

    The closing worship language combines the heavenly creatures’ praise of the holy Lord God Almighty with the throne-room declaration that the Lamb is worthy.

  178. All Glory — 11th Hour (2019) Revelation 5:12-13

    The song closely follows the heavenly worship of Revelation by ascribing wisdom, power, honor, glory, and everlasting praise to the One seated on the throne.

  179. Another Like You - Live At Church — Bethel Music & David Funk (2025) Revelation 5:12

    The song explicitly refers to Jesus as 'Worthy is the Lamb,' which directly quotes the proclamation of worthiness found in Revelation 5:12, emphasizing His sacrificial role and divine authority.

  180. Forever Be Praised — Bethel Music & John Wilds (2022) Revelation 5:12-13

    The bridge directly adopts the heavenly assembly’s acclamation of the Lamb, while the chorus echoes the surrounding attribution of eternal glory, honor, and praise.

  181. Glory To The One - Live — New Life Worship, Lauren Smith, Dee Wilson (2024) Revelation 5:12-13

    The repeated attribution of glory, honor, and power to Jesus forever closely reflects the heavenly doxology offered to the Lamb in Revelation.

  182. Agnus Dei (live) — Brandon Lake (2024) Revelation 5:12

    The repeated acclamation of the Lamb’s worthiness directly echoes the heavenly worship offered to the slain Lamb.

  183. Hu Yavo (He will Come) — Joshua Aaron (2014) Revelation 5:12

    The designation of Jesus as a sacrificed lamb reproduces the distinctive title used in the heavenly assembly's praise of Christ.

  184. Worthy — Matt Redman (2014) Revelation 5:12

    The spoken section directly reproduces the heavenly acclamation identifying the slain Lamb as worthy. This explicitly connects the song's worship to Christ's sacrificial death and His exaltation in Revelation's throne-room vision.

  185. On And On — John Allan (2025) Revelation 5:12

    The phrase 'Behold the Lamb' directly references the imagery of Christ as the Lamb of God, which is prominent in Revelation 5:12 where the Lamb is worshipped in heaven.

  186. Agnus Dei — Tasha Cobbs Leonard (2022) Revelation 5:12

    Its repeated declaration of the Lamb’s worthiness directly reflects heaven’s praise of the slain Lamb in Revelation’s throne-room vision.

  187. Worthy of It All / I Exalt Thee — Legacy Worship, Mariah Bernard (2025) Revelation 5:12

    The declaration of God being worthy of glory and honor reflects the worship described in Revelation where the multitude proclaims the worthiness of the Lamb.

  188. This Is Amazing Grace — Phil Wickham (2013) Revelation 5:12

    The bridge directly reproduces the central heavenly acclamation declaring the sacrificed Lamb deserving of worship.

  189. Iba — Nathaniel Bassey & Dunsin Oyekan & Dasola Akinbule (2023) Revelation 5:12

    The worship section reproduces the heavenly acclamation of the slain Lamb and the sevenfold list of honors he is worthy to receive.

  190. One True God — Steven Curtis Chapman (2016) Revelation 5:12

    The description of Jesus as the slain Lamb closely echoes the heavenly worship of Revelation, where the sacrificial Lamb is declared worthy.

  191. Sing To The King — Worship Together (2011) Revelation 5:12

    The song directly reproduces Revelation’s designation of Jesus as the sacrificial Lamb and joins the heavenly proclamation honoring him.

  192. Let The Alabaster Break — Lizzie Morgan (2025) Revelation 5:12-13

    The declarations of divine worthiness, glory, blessing, and honor across heaven and earth closely reflect the universal worship offered to the Lamb in Revelation's throne-room vision.

  193. Mary, Did You Know? — CCV Music (2023) Revelation 5:12

    The outro directly adopts Revelation's heavenly acclamation of the sacrificial Lamb, while the preceding verse likewise identifies Jesus through lamb imagery.

  194. Hymn of the Ages — Graham Kendrick & Matt Redman (2013) Revelation 5:12-13

    The chorus closely echoes the heavenly acclamation declaring the Lamb worthy to receive honour and glory, followed by everlasting praise. The song’s focus on Christ and its concluding heavenly worship imagery support this passage over similar biblical doxologies.

  195. Be Unto Your Name — FFH (2007) Revelation 5:12-13

    The chorus directly reproduces the heavenly proclamation of the slain Lamb's worthiness. Its subsequent offering of honor and glory also follows the worship described in this passage.

  196. Festival of Praise — Fred Hammond (2014) Revelation 5:12-13

    The combination of heavenly enthronement, declarations of worthiness, and glory directed to the Lamb closely reflects Revelation’s scene of worship before God and the Lamb.

  197. So Worthy - Live — Gateway Worship (2023) Revelation 5:12-13

    The declaration that Jesus is worthy to receive glory and honor closely reflects the heavenly worship of the Lamb in Revelation. The song recasts that doxology as the congregation’s direct response of worship and devotion.

  198. King Jesus — Jeremy Camp (2010) Revelation 5:12

    The identification of Jesus as the slaughtered Lamb, followed by praise emphasizing his power and strength, closely reflects the heavenly acclamation in this verse.

  199. Remember — Laura Story (2011) Revelation 5:12

    The identification of Christ as the slaughtered Lamb directly invokes Revelation’s distinctive depiction of Jesus as the sacrificial Lamb.

  200. Holy Hands - Live — Paul McClure & Hannah McClure & Bethel Music (2025) Revelation 5:12

    The song references the concept of 'the Lamb once slain,' which directly alludes to the imagery found in Revelation where the Lamb is worshipped in Heaven, emphasizing His worthiness and sacrifice.

  201. Another Like You (Live) — Bethel Music & David Funk (2025) Revelation 5:12

    The song includes a direct reference to the phrase 'Worthy is the Lamb,' which is a quotation from Revelation 5:12, emphasizing the worthiness of Christ in worship.

  202. JESUS — Matt Crocker (2025) Revelation 5:12

    The phrase 'Lamb that was slain' directly references the imagery of Jesus as the sacrificial Lamb found in Revelation, which emphasizes His role in redemption.

  203. Agnus Dei (Live From Passion 2024) — Kristian Stanfill & Passion (2024) Revelation 5:12

    The chorus combines the living creatures’ threefold declaration of God’s holiness with the heavenly worship declaring the slain Lamb worthy.

  204. Holy Again and Again (Reprise) — Aaron Williams & Leonard Ray Jarman (2025) Revelation 5:12

    The repeated acclamation of the Lamb’s worthiness directly echoes the worship offered to the slain Lamb in John’s heavenly vision.

  205. Praise to the Most High — Matt Redman & Joe L Barnes (2025) Revelation 5:12

    The phrase 'Worthy is the Lamb who was slain' directly quotes the language used in Revelation, highlighting the sacrificial nature of Christ and His worthiness.

  206. Anything Can Happen - Live — Planetshakers (2019) Revelation 5:12

    The closing acclamations closely reproduce the heavenly throne-room worship that repeatedly declares God's holiness and the Lord's worthiness.

  207. I Stand in Awe — Chris Tomlin (2018) Revelation 5:12-13

    The bridge assembles the same distinctive cluster of acclamations given to the worthy Lamb in John's heavenly vision, including power, honor, glory, praise, and blessing.

  208. No Other Name — Emu Music (2010) Revelation 5:12

    The final verse closely reproduces the heavenly acclamation of the slain Lamb's worthiness. The surrounding imagery of enduring rule and worship reinforces the connection to Revelation's throne-room vision.

  209. Revive Us Again — Big Daddy Weave (2008) Revelation 5:12

    The song gives glory and praise to Jesus specifically as the slain Lamb, closely adapting the heavenly acclamation in Revelation. The combination of sacrificial identity and worship makes this a specific textual connection.

  210. Worthy Is the Lamb — Bethel Music (2010) Revelation 5:12

    The repeated declaration directly reproduces the heavenly acclamation of the sacrificed Lamb in John's vision. This passage specifically joins Christ's sacrificial death to his worthiness to receive heavenly honor.

  211. Exalted (Yahweh) — Chris Tomlin (2008) Revelation 5:13

    The chorus closely adapts the distinctive four-part doxology offered by every creature to the enthroned God and the Lamb. Its sequence of attributes makes this a specific textual connection rather than merely a shared theme of worship.

  212. Praise and Honor — John Pape (2022) Revelation 5:13

    The chorus closely follows the fourfold doxology offered to God and the Lamb in the heavenly throne vision, attributing praise, honor, glory, and power.

  213. Supernova — Beckah Shae (2011) Revelation 5:13

    The bridge adapts the heavenly doxology assigning eternal glory, honor, and power to God and the Lamb. Its direct address to Jesus makes this passage a particularly strong match.

  214. Glory Hallelujah, I’m Gonna Fly Home Soon — Natalie Bergman (2021) Revelation 5:13

    The vision of all creatures united in song and praise resembles Revelation's depiction of every creature joining in worship before God and the Lamb.

  215. Our God Reigns — Israel & New Breed (2015) Revelation 5:13

    The pre-chorus closely adapts the fourfold doxology in which all creation attributes blessing, honor, glory, and power to the enthroned God and the Lamb eternally.

  216. All to Him — Hillsong Worship (2021) Revelation 5:13

    The opening assigns praise, majesty, authority, and power to Christ seated on the throne, closely following Revelation’s universal doxology to the enthroned one.

  217. 2010 — Ty Brasel (2025) Revelation 5:13

    The chorus uses Revelation’s distinctive doxological grouping of blessing, glory, and power in worship directed toward God. Its wording closely resembles the praise offered to the One seated on the throne.

  218. Jesus Shall Reign - Live — Keith & Kristyn Getty (2017) Revelation 5:13

    The closing summons for every creature to offer blessing and honor to the King closely parallels Revelation’s universal praise of God and the Lamb.

  219. Upper Room Anthem — Dunsin Oyekan (2024) Revelation 5:13

    The bridge directs everlasting praise jointly toward the One seated on the throne and the Lamb, closely following the heavenly worship formula in Revelation 5.

Revelation 5 (King James Version)

1 And I saw in the right hand of him that sat on the throne a book written within and on the backside, sealed with seven seals.

2 And I saw a strong angel proclaiming with a loud voice, Who is worthy to open the book, and to loose the seals thereof?

3 And no man in heaven, nor in earth, neither under the earth, was able to open the book, neither to look thereon.

4 And I wept much, because no man was found worthy to open and to read the book, neither to look thereon.

5 And one of the elders saith unto me, Weep not: behold, the Lion of the tribe of Juda, the Root of David, hath prevailed to open the book, and to loose the seven seals thereof.

6 And I beheld, and, lo, in the midst of the throne and of the four beasts, and in the midst of the elders, stood a Lamb as it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth.

7 And he came and took the book out of the right hand of him that sat upon the throne.

8 And when he had taken the book, the four beasts and four and twenty elders fell down before the Lamb, having every one of them harps, and golden vials full of odours, which are the prayers of saints.

9 And they sung a new song, saying, Thou art worthy to take the book, and to open the seals thereof: for thou wast slain, and hast redeemed us to God by thy blood out of every kindred, and tongue, and people, and nation;

10 And hast made us unto our God kings and priests: and we shall reign on the earth.

11 And I beheld, and I heard the voice of many angels round about the throne and the beasts and the elders: and the number of them was ten thousand times ten thousand, and thousands of thousands;

12 Saying with a loud voice, Worthy is the Lamb that was slain to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing.

13 And every creature which is in heaven, and on the earth, and under the earth, and such as are in the sea, and all that are in them, heard I saying, Blessing, and honour, and glory, and power, be unto him that sitteth upon the throne, and unto the Lamb for ever and ever.

14 And the four beasts said, Amen. And the four and twenty elders fell down and worshipped him that liveth for ever and ever.