Psalms 24

Which worship songs are based on Psalms 24?

  1. This Is My Father's World - From Pippa And The Singing Tree — The Getty Girls & Keith & Kristyn Getty (2025) Psalms 24:1

    The song's assertion that the world belongs to God aligns closely with the declaration in Psalm 24:1 that the earth and everything in it is the Lord's, emphasizing divine ownership and sovereignty over creation.

  2. God's Not Dead — Childlike CiCi & Futuristic (2025) Psalms 24:1

    The description of the earth and its fullness closely reproduces the distinctive language of Psalm 24:1 and attributes creation to its divine Designer.

  3. Psalm 24 (The King Of Glory) — Keith & Kristyn Getty (2016) Psalms 24:1-10

    The song closely follows the psalm’s progression from God’s sovereignty over creation, through the requirements of clean hands and a pure heart, to the summons for the ancient gates to admit the King of glory, identified as the mighty Lord.

  4. Chant — Nontokozo Mkhize (2025) Psalms 24:1-2

    The opening directly renders the psalm’s declaration that the earth and its inhabitants belong to the Lord because he established it over the waters.

  5. Give Us Clean Hands — Kutless (2009) Psalms 24:3-6

    The chorus turns Psalm 24:4's requirements of outward innocence, inward purity, and freedom from idolatrous allegiance into a communal prayer. The refrain closely adapts verse 6's description of a generation seeking the God of Jacob.

  6. Ascend — Bethel Music, William Matthews (2013) Psalms 24:3-4

    The chorus closely adapts the psalm's question about ascending God's holy hill and its answer linking access to moral purity in both actions and inward disposition.

  7. Show Me Your Face — Brian Johnson (2010) Psalms 24:3

    The chorus closely adapts the psalm's question about standing in God's holy place, turning it into a personal request for strength to remain in God's presence.

  8. No One Else (Tear Down The Idols) - Live — Jesus Culture (2023) Psalms 24:3-4

    The bridge directly adopts Psalm 24's paired requirements of outward integrity and inward purity for those approaching God's holy presence.

  9. Here For You — Travis Greene (2015) Psalms 24:3-4

    The opening closely reproduces the psalm's questions about entering God's holy place and its requirement of outward and inward purity. The song then turns that requirement into a prayer for cleansing.

  10. Tear Down The Idols — Circuit Rider Music & Lindy Cofer & Olivia Stern (2025) Psalms 24:3-4

    The appeal for outward and inward purity closely echoes the psalm's qualifications for those who may approach God's holy presence.

  11. Good Grace — Hillsong UNITED (2019) Psalms 24:3-7

    The bridge combines Psalm 24’s qualifications for approaching God with its summons for the entrances to open before the King of glory.

  12. Fall Afresh — Kari Jobe (2017) Psalms 24:3-4

    The opening prayer adopts Psalm 24’s paired requirements of outwardly righteous conduct and inward purity for those approaching God’s holy presence.

  13. Dwelling Place (Live) — The Belonging Co & Mia Fieldes & Mitch Wong (2025) Psalms 24:3-4

    The song's call for 'clean hands and pure heart' echoes the biblical requirement for purity and integrity found in Psalm 24, which speaks to the qualifications for those who seek to dwell in God's presence.

  14. Arms Open Wide — Hillsong UNITED (2009) Psalms 24:3-4

    The prayer for cleansed hands and a pure heart closely adapts the psalm's paired requirements for approaching God, turning them into a request for inward and outward holiness.

  15. Remember Me — Andrew Peterson (2018) Psalms 24:3-4

    The song reproduces the psalm’s question about approaching the Lord’s hill and its standard of clean hands, a pure heart, and truthful speech.

  16. The Almighty Arsonist — American Arson (2023) Psalms 24:3-4

    The request for cleansed hands draws on Psalm 24’s description of the person qualified to stand in God’s holy place.

  17. Hosanna — Brooke Fraser (2008) Psalms 24:7-10

    The opening identifies the approaching divine ruler with the distinctive royal title repeated in this psalm's entrance proclamation.

  18. The Name Of Jesus — Aaron Shust (2007) Psalms 24:7-10

    The royal designation applied to Jesus is the distinctive divine title repeated in Psalm 24's summons for the gates to admit God's presence.

  19. Have Your Way — Big Daddy Weave (2025) Psalms 24:7-10

    The repeated royal designation for God, combined with affirmations of his power and glory, unmistakably evokes Psalm 24’s description of the mighty Lord entering among his worshipers.

  20. Gratitude (Live) — Brandon Lake (2021) Psalms 24:7-10

    The song's portrayal of worship opening a way for the King of glory to enter directly mirrors the psalm's repeated summons for gates to lift so the King of glory may come in.

  21. We'll Make It Loud — Gateway Worship (2008) Psalms 24:7-10

    The bridge closely adapts the psalm's summons for gates to raise their heads and admit the divine king. It turns the architectural imagery into an invitation for worshippers to welcome God's presence.

  22. Praise Is the Highway — Chris Tomlin (2018) Psalms 24:7-10

    The bridge’s commands to raised heads and opened gates closely follow the psalm’s summons for the gates to receive the King of Glory.

  23. Who Is This — John Mark McMillan (2012) Psalms 24:7-10

    The song closely adapts the psalm’s repeated question about the divine king’s identity and its commands for gates and ancient doors to admit him. These distinctive details make Psalm 24 the unmistakable source.

  24. King Of Glory (Live) — Passion (2019) Psalms 24:7-10

    The chorus uses Psalm 24's lifted-gates imagery, while the interlude directly reproduces the psalm's question-and-answer identification of the glorious king as the Lord who is mighty in battle.

  25. The Lion and the Lamb — Big Daddy Weave (2015) Psalms 24:7-10

    The command to open gates for the arriving divine king recalls this psalm’s ceremonial welcome. The surrounding portrayal of God as a mighty warrior further supports the connection.

  26. Let the Light In — Kari Jobe (2020) Psalms 24:7-10

    The chorus adapts the psalm's summons for the gates to open so that the King of glory may enter.

  27. Worship, Honor and Love — Shekinah Glory Ministry (2007) Psalms 24:7-10

    The song applies Psalm 24's distinctive royal designation to God. Its imagery of heralding divine royalty reinforces the psalm's announcement of the Lord's entrance.

  28. King of Glory (Live) — CeCe Winans (2021) Psalms 24:7-10

    The song’s repeated royal title invokes Psalm 24’s processional portrayal of the victorious Lord entering as the glorious King.

  29. Holding Me Still — Elle Limebear (2019) Psalms 24:7-10

    The bridge directly uses Psalm 24’s repeated royal designation for the Lord and applies it to Jesus.

  30. Stay and Wait — Hillsong UNITED (2013) Psalms 24:7-10

    The royal designation applied to Jesus in the second verse reproduces the distinctive divine title repeated in this psalm’s concluding entrance proclamation.

  31. Awake My Soul — Hillsong Worship (2020) Psalms 24:7-10

    The invitation for the King of glory to enter clearly invokes the psalm's repeated command for the gates to open before the glorious and victorious Lord.

  32. Open Up the Gates — Danny Gokey (2024) Psalms 24:7-10

    The bridge closely reproduces the psalm's summons for the ancient gates to open so that the King of glory may enter.

  33. Beautiful the Blood — Kutless (2013) Psalms 24:7-10

    The repeated royal designation for Jesus invokes Psalm 24’s distinctive title for the Lord entering in triumph. The song applies that divine kingship to Christ’s sacrificial rescue.

  34. The King Is Coming — Newsboys (2012) Psalms 24:7-10

    The bridge combines opening doors with welcoming the arriving King, closely echoing the psalm’s summons for ancient gates and doors to admit the King of glory.

  35. My Eyes Have Seen — Passion (2022) Psalms 24:7-10

    The song repeatedly uses Psalm 24's distinctive royal designation for the Lord, identifying the one encountered in worship as the glorious King.

  36. The King Of Glory - Live — Citipointe Worship & Alexander Pappas (2023) Psalms 24:7-10

    The repeated royal designation for God comes directly from Psalm 24’s liturgical proclamation of the victorious Lord entering in glory.

  37. Ancient Gates (Live) — Brooke Ligertwood (2022) Psalms 24:7-10

    The opening image of ancient gates evokes the psalm's summons for the enduring doors to open before the King of glory.

  38. Let The Light In — Cody Carnes (2020) Psalms 24:7-10

    The chorus directly adapts the psalm's command for the gates to open so that the King of glory may enter.

  39. Did You Feel the Mountains Tremble / Dance in the River — Delirious? (2009) Psalms 24:7-10

    The repeated commands for gates to open and be lifted closely adapt the psalm's summons to welcome the King of glory. The song applies this entrance imagery to the risen Jesus.

  40. He Is Lord — Hillsong Worship (2008) Psalms 24:7-10

    The closing summons to prepare for the glorious King echoes this psalm’s call for the gates to open and receive God. The song applies that royal arrival imagery to Jesus’ anticipated return.

  41. Lover of My Soul — Kari Jobe (2017) Psalms 24:7-10

    The repeated invocation of the King of glory to come closely reflects Psalm 24's call to receive the glorious King into His dwelling.

  42. Idols — Kirk Franklin (2019) Psalms 24:7-10

    The repeated question identifying the King of glory directly echoes Psalm 24's call-and-response proclamation of the Lord as the glorious King.

  43. Prepare Him Room — Sovereign Grace Music (2014) Psalms 24:7-10

    The summons to ancient gates and the repeated invitation for the glorious king to enter closely adapt this psalm's entrance proclamation, applying it to Christ.

  44. Open the Gates - Live — Jon Egan (2019) Psalms 24:7-10

    The chorus adapts the psalm's summons for the gates to open so that divine glory may enter, turning the ancient entrance liturgy into a prayer for God's presence among the worshippers.

  45. Your Name — Darlene Zschech (2014) Psalms 24:7-10

    The song applies to Jesus the distinctive royal title repeatedly used for the Lord in this passage. That specific title provides a textual connection beyond general language about divine majesty.

  46. Open the Gates — Vertical Worship (2018) Psalms 24:7-10

    The chorus combines opened gates with the arrival of divine glory, strongly recalling the psalm's summons for the gates to admit the King of glory.

  47. Who Is This Love Amazing — Chris McClarney (2010) Psalms 24:7-10

    The summons for ancient gates to open and the identification of the approaching glorious King as the strong and mighty Lord closely reproduce the psalm's distinctive dialogue.

  48. Kingdom Come — Elevation Worship (2010) Psalms 24:7-10

    The bridge uses the distinctive royal title repeated in this psalm’s depiction of the Lord entering through the gates.

  49. Praising and Thanking — I.D.O.4. (2021) Psalms 24:7-10

    The song applies Psalm 24’s distinctive royal title to God and pairs it with language of divine might, closely recalling the psalm’s triumphant identification of the Lord.

  50. Kingdom — Jesus Culture (2010) Psalms 24:7-10

    The bridge applies Psalm 24’s distinctive royal title to God. Its repeated appeals for opening reinforce the psalm’s imagery of entrances opening to welcome the divine king.

  51. Reason To Dance — Cory Asbury (2011) Psalms 24:7-10

    The song repeatedly applies to Jesus the distinctive royal title used for the Lord in Psalm 24's call for the gates to welcome God's entrance.

  52. O Vimos Subir — Julliany Souza (2025) Psalms 24:7-10

    The summons for the eternal gates to open for the arriving King directly adapts Psalm 24's royal procession of the King of glory.

  53. Friend of Sinners — Laura Story (2011) Psalms 24:7-10

    The chorus applies Psalm 24’s distinctive royal designation for the Lord to Jesus, contrasting divine majesty with his willingness to serve.

  54. Fill the Room — Maverick City Music & Chandler Moore (2020) Psalms 24:7-10

    The bridge directly reproduces Psalm 24's summons for the gates and ancient doors to open before the King of glory, then applies that summons inwardly to the worshipers' hearts.

  55. This Is Amazing Grace — Phil Wickham (2013) Psalms 24:7-10

    The repeated royal designation and question-and-answer structure recall the psalm's identification of the glorious divine king entering through the gates.

  56. Existe Uma Geração - Ao Vivo — Isaias Saad (2023) Psalms 24:7-10

    The bridge closely reproduces the psalm’s summons for the ancient gates to open, followed by the question-and-response identifying the arriving figure as the King of Glory.

  57. Para Que Entre o Rei - Ao Vivo — MORADA (2017) Psalms 24:7-10

    The song closely follows the psalm’s call for the entrances to open before the King of Glory and its repeated question identifying that King. It explicitly identifies the royal figure as Jesus and relocates the opened entrance to the worshipper’s heart.

  58. (Seeing You Again) For the First Time — Corpus Christi (2010) Psalms 24:7-10

    The divine royal designation directly recalls the repeated identification of God in the psalm's entrance liturgy.

  59. Hosana - Ao Vivo — Nívea Soares (2024) Psalms 24:7-10

    The summons for the ancient gates to open so that the King of Glory may enter closely follows the psalm's liturgical procession and its identification of the approaching divine King.

  60. Come By Here — Deitrick Haddon & Hill City Worship Camp (2017) Psalms 24:7-10

    The call for worshipers to raise their heads as the Lord approaches, together with the emphasis on divine glory entering the gathering, closely echoes the psalm's liturgical welcome of the King of glory.

  61. Hosanna — Christy Nockels (2009) Psalms 24:7-10

    The opening identifies the arriving divine ruler with the distinctive royal title repeated in this psalm. The song applies that designation to its vision of Christ's arrival.

  62. Lift Oh Gates - Live — Corey Voss (2018) Psalms 24:7-10

    The chorus adapts Psalm 24’s summons for the gates to open for the victorious King of glory. The song identifies this arriving King with the crucified and risen Christ.

  63. The Story I'll Tell — Housefires (2024) Psalms 24:8

    The closing description of the Lord as mighty and victorious reproduces Psalm 24's identification of the King of glory.

  64. Throne — Byron Cage (2012) Psalms 24:8

    The refrain closely reproduces the psalm's distinctive royal title and its identification of the Lord through strength and might.

  65. Strong to Save — Vertical Worship (2013) Psalms 24:8

    The chorus closely reproduces this verse’s distinctive description of the Lord’s might in warfare, applying it as grounds for congregational courage.

  66. Fortress — Elevation Worship (2014) Psalms 24:8

    The bridge combines the psalm's distinctive royal designation for God with His power in battle, closely adapting the identification given in this verse.

  67. Glorify You Alone — Gateway Worship (2010) Psalms 24:8-10

    The opening question directly reproduces the psalm's repeated question about the identity of the glorious King. The song answers that question by identifying the King as Jesus.

  68. Yahweh Sabaoth — Nathaniel Bassey (2023) Psalms 24:8-10

    The song repeatedly joins Psalm 24's royal title for God with its identification of him as commander of the heavenly armies. The surrounding battle language further reflects the psalm's portrayal of the divine King as a mighty warrior.

  69. At All Times — Mandisa (2013) Psalms 24:8

    The first verse uses the psalm’s distinctive description of the Lord’s military might, reinforcing its portrayal of God as the victorious divine warrior.

  70. Quem é Como Nosso Deus? — Nívea Soares (2024) Psalms 24:8

    The chorus describes God with the distinctive language of Psalm 24's divine warrior, the King of glory whose power is displayed in battle.

Psalms 24 (King James Version)

1 The earth is the LORD’s, and the fulness thereof; the world, and they that dwell therein.

2 For he hath founded it upon the seas, and established it upon the floods.

3 Who shall ascend into the hill of the LORD? or who shall stand in his holy place?

4 He that hath clean hands, and a pure heart; who hath not lifted up his soul unto vanity, nor sworn deceitfully.

5 He shall receive the blessing from the LORD, and righteousness from the God of his salvation.

6 This is the generation of them that seek him, that seek thy face, O Jacob. Selah.

7 Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of glory shall come in.

8 Who is this King of glory? The LORD strong and mighty, the LORD mighty in battle.

9 Lift up your heads, O ye gates; even lift them up, ye everlasting doors; and the King of glory shall come in.

10 Who is this King of glory? The LORD of hosts, he is the King of glory. Selah.