Isaiah 6

Which worship songs are based on Isaiah 6?

  1. High and Lifted Up — Hillsong Worship (2008) Isaiah 6:1

    The chorus repeats Isaiah’s description of the Lord’s exalted position in his temple vision. The bridge’s emphasis on holiness reinforces this connection.

  2. Holy — Avalon (2009) Isaiah 6:1-7

    The song closely adapts Isaiah’s description of the exalted Lord enthroned, his robe filling the temple, heavenly beings proclaiming his holiness, and shaking temple thresholds. It also follows Isaiah’s confession of uncleanness and the cleansing of his lips.

  3. Look Upon the Lord — Kari Jobe (2014) Isaiah 6:1-3

    The opening depiction of the Lord seated on high, together with the repeated proclamation of holiness, evokes Isaiah’s vision of the exalted throne and the seraphim’s worship.

  4. Ancient of Days / Open The Eyes of My Heart — CalledOut Music (2025) Isaiah 6:1-3

    The vision of God exalted above all and the threefold acclamation of His holiness unmistakably evoke Isaiah’s temple vision and the worship of the seraphim.

  5. Great Is the Lord — Housefires (2016) Isaiah 6:1-5

    The combination of God’s throne, repeated holiness, overwhelming glory, and the worshippers’ sense of being ruined strongly recalls Isaiah’s response to the temple vision.

  6. The Highest — Elevation Worship (2011) Isaiah 6:1

    The bridge applies Isaiah’s distinctive description of the enthroned Lord’s exaltation to Jesus. The surrounding royal worship reinforces the throne-vision imagery; the lyrics do not specifically depict the crucifixion.

  7. I See The Lord (Live) — Red Rocks Worship & Kendra Benay (2025) Isaiah 6:1

    The song references a vision of the Lord seated on a throne, which directly quotes the imagery found in Isaiah's vision of God's holiness and majesty.

  8. Yahweh (Holy) - Live — Chris Burns & Danielle Burns (2025) Isaiah 6:1-3

    The song references the holiness of God and the imagery of creatures surrounding the throne, which parallels the vision of God's throne room in Isaiah where seraphim proclaim His holiness.

  9. My Eyes Have Seen — Passion (2022) Isaiah 6:1-5

    The combination of seeing the divine King, bowing in surrender, and proclaiming the Lord's holiness closely follows Isaiah's throne-room encounter.

  10. Isaías 6 - Ao Vivo — MORADA (2021) Isaiah 6:1-4

    The song closely recreates Isaiah’s temple vision: the Lord enthroned in majesty, the temple filled by his robe and smoke, and six-winged seraphim covering themselves while proclaiming his holiness and glory.

  11. The Story I'll Tell — Housefires (2024) Isaiah 6:1

    The closing temple image directly evokes Isaiah's throne-room vision, in which the enthroned Lord's royal robe fills the sanctuary.

  12. Quédate — Alex Zurdo (2023) Isaiah 6:1

    The request for the hem of God’s royal garment to fill the room unmistakably adapts Isaiah’s throne-room vision, where the divine robe fills the temple.

  13. God You Are My God — Vertical Worship (2017) Isaiah 6:1-3

    The description of God as uniquely holy and exalted evokes Isaiah’s vision of the Lord enthroned above all, while heavenly beings proclaim his holiness.

  14. God Who Listens — Chris Tomlin (2020) Isaiah 6:1-2

    The depiction of angels concealing their faces in God's presence evokes Isaiah's throne-room vision, where the seraphim cover their faces before the holy Lord.

  15. Open the Eyes of My Heart — Paul Baloche (2010) Isaiah 6:1-3

    The description of God's exalted position and the threefold declaration of holiness closely reproduce distinctive elements of Isaiah's throne-room vision. Their combination points specifically to Isaiah's vision rather than merely to general worship language.

  16. He Is Lord — Hillsong Worship (2008) Isaiah 6:1

    The description of the reigning Lord’s elevated position closely echoes Isaiah’s vision of God enthroned above the temple.

  17. Holy, Holy, Holy Lord God Almighty - Live — Keith & Kristyn Getty (2013) Isaiah 6:1-3

    The combination of seraphim and the threefold proclamation of holiness explicitly recalls Isaiah's vision of God's throne. The hymn blends this imagery with Revelation's heavenly worship scene.

  18. Isaiah 6 — Todd Agnew (2017) Isaiah 6:1-5

    The opening verses and chorus closely reproduce Isaiah’s vision of the enthroned Lord, the six-winged seraphim, their proclamation of divine holiness, and Isaiah’s confession of uncleanness.

  19. His Glory Appears — Hillsong Worship (2012) Isaiah 6:2-3

    The chorus closely adapts the seraphim’s proclamation of the Lord’s holiness in Isaiah’s vision. Its combination of angelic praise, divine holiness, and glory makes this a specific connection rather than merely general worship language.

  20. Umbhedesho (Live) — Joyous Celebration (2013) Isaiah 6:2-3

    The seraphim’s repeated proclamation of divine holiness, the address to the Lord of hosts, and the declaration that creation is filled with his glory closely adapt Isaiah’s throne-room vision through the Te Deum.

  21. Ungcwele — Nontokozo Mkhize (2025) Isaiah 6:2-3

    The presence of seraphim alongside a threefold proclamation of divine holiness unmistakably evokes Isaiah’s vision of heavenly beings worshiping before God’s throne.

  22. Burning Ones — Jesus Culture (2011) Isaiah 6:2-3

    The repeated acclamation of God's holiness echoes the seraphim's worship in Isaiah's vision. The song's designation of worshippers as burning beings reinforces this connection, since the Hebrew name seraphim is commonly understood as referring to burning ones.

  23. Where You Are (Live) — Leeland (2014) Isaiah 6:2-3

    The closing bridge depicts angelic worship through repeated declarations of God's holiness, echoing the seraphim's acclamation in Isaiah's vision. The combination of heavenly beings and repeated holiness language makes this a specific biblical image rather than merely a general expression of praise.

  24. Holy Holy Holy — Newsboys (2014) Isaiah 6:2-3

    The threefold declaration of holiness reproduces the seraphim's acclamation in Isaiah's throne-room vision. The hymn's explicit mention of seraphim reinforces this connection, although their falling down is not an action described in these verses.

  25. Gratitude — Anendlessocean (2023) Isaiah 6:2-3

    The singer compares his worship to that of cherubim and seraphim, evoking Isaiah’s vision of seraphim praising God in the heavenly throne room.

  26. Where You Are - Live — Leeland (2019) Isaiah 6:2-3

    The closing bridge evokes Isaiah’s throne-room vision by portraying heavenly beings repeatedly acclaiming God’s holiness.

  27. Beautiful — Gateway Worship (2008) Isaiah 6:3

    The bridge repeats the threefold declaration of divine holiness found in both heavenly worship scenes. The wording connects directly to this shared biblical acclamation, although the song does not distinguish between the two settings.

  28. Kadosh Ata — Joshua Aaron (2012) Isaiah 6:3

    The chorus adapts the seraphim’s threefold declaration of divine holiness into a direct address to God. Its Hebrew wording particularly recalls the proclamation in Isaiah’s throne-room vision.

  29. If I Could See (What The Angels See) — Amy Grant (2013) Isaiah 6:3

    The imagined sound of angels repeatedly proclaiming God's holiness recalls the seraphim's worship in Isaiah's vision.

  30. Holy Song - Acoustic — Brian Johnson & Bethel Music & Brooke Ligertwood (2025) Isaiah 6:3

    The repeated phrase 'Holy, holy, holy' directly quotes the declaration of God's holiness found in Isaiah 6:3, emphasizing His majesty and worthiness.

  31. Only Jesus — Hillsong Worship (2026) Isaiah 6:3

    The repeated phrase 'Holy! Holy!' in the interlude reflects the angelic proclamation found in Isaiah 6:3, highlighting the holiness of God and inviting worship.

  32. Sanctus — Fernando Ortega (2011) Isaiah 6:3

    The opening adapts the seraphim’s threefold acclamation of God's holiness and their declaration that the earth is filled with his glory. The Sanctus expands the declaration to include heaven and renders the divine title in liturgical language.

  33. Trisagion — Fernando Ortega (2011) Isaiah 6:3

    The prayer’s threefold invocation of divine holiness echoes the seraphim’s threefold acclamation in Isaiah’s vision. This is a liturgical adaptation through the ancient Trisagion prayer, rather than a direct quotation or retelling of the vision.

  34. Glory Song — Dunsin Oyekan (2024) Isaiah 6:3

    The song reproduces the seraphim’s threefold declaration of God’s holiness and their proclamation that the whole earth displays his glory.

  35. Holy Again and Again — Aaron Williams & Melodie Malone (2025) Isaiah 6:3

    The song references the phrase 'holy, holy, holy,' which directly alludes to the seraphim's proclamation in Isaiah's vision of the Lord's holiness.

  36. After All (Holy) — David Crowder Band (2012) Isaiah 6:3

    The threefold declaration of divine holiness, combined with the world’s fullness of divine glory, closely adapts the seraphim’s proclamation in Isaiah’s throne-room vision. The song follows the liturgical Sanctus in extending that fullness to heaven as well as earth.

  37. Simple Praise — Jon Guerra (2020) Isaiah 6:3

    The threefold declaration of God's holiness directly invokes the seraphim's worship in Isaiah's throne-room vision. The song applies that sacred acclamation to its examination of sincere versus performative praise.

  38. God, The Uncreated One (King Forevermore) - Live — Keith & Kristyn Getty & Sing! & Tommy Bailey (2017) Isaiah 6:3

    The threefold acclamation of God's holiness reflects the seraphim's worship in Isaiah's throne-room vision.

  39. Hosanna — Jill Phillips (2012) Isaiah 6:3

    The threefold declaration of divine holiness and the proclamation of creation filled with God’s glory adapt the seraphim’s praise in Isaiah’s throne-room vision. The wording reflects the liturgical Sanctus, which expands Isaiah’s reference to the earth to include heaven.

  40. Peace Has Come — Hillsong Worship (2014) Isaiah 6:3

    The threefold declaration of divine holiness reproduces the seraphim's acclamation in Isaiah's vision. The surrounding angelic worship supports this connection, although the same acclamation also appears in Revelation 4:8.

  41. Sanctus — Ana Laura (2024) Isaiah 6:3

    The opening acclamation reproduces the seraphim’s threefold declaration of God’s holiness and identifies him as the Lord of hosts whose glory fills heaven and earth.

  42. All Fall Down (Live) — The Belonging Co & Henry Seeley (2025) Isaiah 6:3

    The song directly quotes the phrase 'Holy holy holy is the Lord,' which is a central declaration found in Isaiah's vision of God's holiness in the temple.

  43. Let Me Know Your Heart — Steph Macleod (2021) Isaiah 6:3

    The closing worship directly adopts the threefold heavenly acclamation of God's holiness and identifies him as the Almighty, closely matching the seraphim's praise in Isaiah's throne-room vision.

  44. After All (Holy) - Capital Kings Remix — David Crowder Band (2013) Isaiah 6:3

    The threefold declaration of divine holiness, paired with the proclamation that creation is filled with God's glory, closely adapts the seraphim's praise in Isaiah's temple vision.

  45. Kadosh — Dunsin Oyekan (2024) Isaiah 6:3

    The threefold Hebrew acclamation of God's holiness invokes the trisagion proclaimed by the heavenly beings in Isaiah's vision and echoed in Revelation's throne-room worship.

  46. Holy Song — Bethel Music & Brooke Ligertwood (2024) Isaiah 6:3

    The chorus reproduces the seraphim’s threefold declaration of God’s holiness and their proclamation that the earth is filled with his glory.

  47. God of the Impossible — Everfound (2013) Isaiah 6:6-8

    The second verse closely adapts Isaiah’s cleansing through an altar coal touching his mouth, including the removal of guilt and atonement for sin. The chorus reproduces Isaiah’s response of availability to God’s call to send a messenger.

  48. Sow Good Seeds — Mavis Staples (2013) Isaiah 6:8

    The second verse pairs a divine question seeking a volunteer with a first-person declaration of availability, echoing Isaiah's response to God's commissioning call. The song adapts that call-and-response pattern by presenting Jesus as the caller.

  49. Here Am I — MercyMe (2008) Isaiah 6:8

    The chorus closely reproduces God's question about whom to commission and Isaiah's willing response. It makes Isaiah's answer a personal commitment to missionary service.

  50. Respond (feat. D'Nar Young, Taylor Poole & Trinity Anderson) — Travis Greene & D'Nar Young & Taylor Poole & Trinity Anderson (2019) Isaiah 6:8

    The singer presents God as seeking someone who will answer, then volunteers himself as immediately available. This closely parallels Isaiah's response when the enthroned Lord asks who will go on His behalf.

  51. ANYWHERE (FEAT. TORI KELLY) — Voices of Fire & Pharrell Williams & Tori Kelly (2026) Isaiah 6:8

    The repeated willingness to go wherever the Lord sends closely echoes Isaiah's response to God's call and his readiness to be commissioned.

  52. Slings and Arrows — Between Thieves (2025) Isaiah 6:8

    The speaker adopts Isaiah’s direct response to God’s call, expressing readiness to be commissioned and sent.

  53. Ready — Ernie Haase & Signature Sound (2021) Isaiah 6:8

    The singer's declaration of availability and willingness to go at God's command closely parallels Isaiah's response when God seeks a messenger.

  54. We Need — Jeremy Camp (2013) Isaiah 6:8

    The repeated declaration of personal availability followed by a request for God to employ the singer closely adapts Isaiah’s response to God’s call. The song’s emphasis on accepting a mission reinforces this connection.

  55. Send Me (Live) — SEU Worship, Chelsea Plank (2024) Isaiah 6:8

    The speaker adopts Isaiah’s direct response to God’s call, expressing personal availability to be commissioned and sent.

  56. If You Say So — Disciple (2024) Isaiah 6:8

    The bridge directly adopts Isaiah's response when God asks whom he will send, expressing the same readiness for divine commission.

  57. Calling My Name (I'm A Soldier) - Live — Ebuka Songs (2023) Isaiah 6:8

    The introductory response to God's call closely follows Isaiah's willing response when the Lord asks whom he will send. The song applies that prophetic commissioning language to personal readiness for service.

  58. The Way Home Back — Guardian (2007) Isaiah 6:8

    The prayer asking God to commission the speaker, immediately following references to calling and service, closely echoes Isaiah's willingness to be sent.

Isaiah 6 (King James Version)

1 In the year that king Uzziah died I saw also the LORD sitting upon a throne, high and lifted up, and his train filled the temple.

2 Above it stood the seraphims: each one had six wings; with twain he covered his face, and with twain he covered his feet, and with twain he did fly.

3 And one cried unto another, and said, Holy, holy, holy, is the LORD of hosts: the whole earth is full of his glory.

4 And the posts of the door moved at the voice of him that cried, and the house was filled with smoke.

5 Then said I, Woe is me! for I am undone; because I am a man of unclean lips, and I dwell in the midst of a people of unclean lips: for mine eyes have seen the King, the LORD of hosts.

6 Then flew one of the seraphims unto me, having a live coal in his hand, which he had taken with the tongs from off the altar:

7 And he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged.

8 Also I heard the voice of the Lord, saying, Whom shall I send, and who will go for us? Then said I, Here am I; send me.

9 And he said, Go, and tell this people, Hear ye indeed, but understand not; and see ye indeed, but perceive not.

10 Make the heart of this people fat, and make their ears heavy, and shut their eyes; lest they see with their eyes, and hear with their ears, and understand with their heart, and convert, and be healed.

11 Then said I, Lord, how long? And he answered, Until the cities be wasted without inhabitant, and the houses without man, and the land be utterly desolate,

12 And the LORD have removed men far away, and there be a great forsaking in the midst of the land.

13 But yet in it shall be a tenth, and it shall return, and shall be eaten: as a teil tree, and as an oak, whose substance is in them, when they cast their leaves: so the holy seed shall be the substance thereof.