Ephesians 3

Which worship songs are based on Ephesians 3?

How Can I Tell — Sara Groves (2025) Ephesians 3:8
The description of immeasurable dimensions and wealth echoes Paul's language about the boundless riches of Christ and the breadth, length, height, and depth of Christ's love.
Cradle Me (Patsy’s Lullaby) — Mandisa (2013) Ephesians 3:16
The petition for divine strengthening closely follows the wording of Paul's prayer for believers to receive inward power through God's Spirit.
A Thousand Thank Yous — Sarah Kroger (2020) Ephesians 3:16-19
The song combines the riches of divine glory with spatial language about the depth and vast extent of the Father's love and mercy. This closely reflects Paul's prayer that believers comprehend the immeasurable dimensions of Christ's love and be filled with God's fullness.
Home — Bethel Music (2015) Ephesians 3:17
The central image of the heart becoming a dwelling for Jesus closely reflects Paul's prayer for Christ to dwell in believers' hearts. The accompanying emphasis on love growing within that dwelling reinforces the passage's connection between Christ's indwelling and being established in love.
I Am a C-H-R-I-S-T-I-A-N — VeggieTales (2010) Ephesians 3:17
The song personalizes Paul's description of Christ dwelling in believers' hearts. This specific description of Christ's inward presence supports the connection, rather than the broader declarations of Christian identity or eternal life.
Wildflowers — Brandon Lake (2020) Ephesians 3:17-19
The imagery of divine love becoming deeply rooted within a person closely reflects Paul’s prayer that believers be rooted and established in love. The song’s sense of an overwhelming love producing inward fullness further aligns with this passage.
Holy Will - Live — The Clark Sisters (2007) Ephesians 3:17
The opening prayer closely adapts Paul's paired images of roots and foundations, asking for stability in God. Ephesians uses this distinctive pairing in a prayer for believers to be established in love through Christ's indwelling.
Good to Be Loved by You — Chris Tomlin (2021) Ephesians 3:17-19
The bridge's four spatial dimensions closely reproduce Paul's language about comprehending the surpassing dimensions of Christ's love.
His Grace Is Sufficient — Jennifer Knapp (2008) Ephesians 3:18-19
The repeated pairing of depth and width with an inability to comprehend closely echoes Paul’s description of the dimensions of Christ’s love and its surpassing human knowledge. The song applies that dimensional language to grace.
Singers Go First — Danielson Famile (2008) Ephesians 3:18-19
The repeated sequence of four spatial dimensions unmistakably echoes Paul's description of the immeasurable love of Christ.
Greater Still — Brandon Lake (2022) Ephesians 3:18-19
The bridge adapts Paul's dimensional description of Christ's immeasurable love and explicitly identifies that love with Christ.
reach — Allie Paige (2022) Ephesians 3:18-19
The description of divine love as having depths beyond the singer’s ability to reach closely reflects Paul’s prayer that believers comprehend the dimensions of Christ’s love while recognizing that it surpasses knowledge.
Never Setting Sun — Newsboys (2019) Ephesians 3:18-19
The description of Christ's love as exceeding understanding, followed by its height, width, and depth, closely reflects Paul's prayer that believers comprehend love's dimensions and know Christ's knowledge-surpassing love.
Boundless — Phil Wickham (2018) Ephesians 3:18-19
The song describes divine love through its depth, height, and width while emphasizing that it exceeds comprehension. This closely paraphrases Paul's prayer that believers grasp the dimensions of Christ's love, which surpasses knowledge.
Honest Love — Rita Springer (2024) Ephesians 3:18-19
The description of divine love in terms of immeasurable width, height, and depth closely follows Paul's prayer that believers comprehend Christ's boundless love, which surpasses knowledge.
Awe + Wonder - Live — The Belonging Co & Daniella Mason & Andrew Holt (2019) Ephesians 3:18-19
The rhetorical emphasis on the immeasurable depth and reach of divine love closely echoes Paul's prayer to comprehend the dimensions of Christ's love while recognizing that it surpasses knowledge.
Nothing Ever Will (Live) — The Belonging Co & Natalie Grant (2023) Ephesians 3:18-19
The bridge invokes the spatial dimensions of Christ's immeasurable love, closely following Paul's prayer that believers comprehend its breadth and depth.
Here Is Love — Bethel Music (2010) Ephesians 3:18-19
The bridge describes divine love through spatial dimensions, closely adapting Paul's description of the breadth, length, height, and depth of Christ's love.
Glimpse — Hannah Kerr (2019) Ephesians 3:18-19
The bridge uses spatial dimensions to express the immeasurable extent of God's glory, love, and mercy. This strongly echoes Paul's prayer that believers comprehend the breadth, length, height, and depth of Christ's love while recognizing that it surpasses knowledge.
So in Love — Jeremy Camp (2008) Ephesians 3:18-19
The bridge pairs the depth of divine love with its exceeding human understanding, closely reflecting Paul's description of Christ's immeasurable love that surpasses knowledge.
Fallen — John Waller (2011) Ephesians 3:18-19
The bridge describes Jesus' love through all four spatial dimensions used in Paul's prayer. This closely adapts Paul's language about comprehending the immeasurable love of Christ.
Strong Love — Jon Thurlow (2010) Ephesians 3:18-19
The four spatial dimensions attributed to divine love closely adapt Paul's description of comprehending the dimensions of Christ's love.
Only Your Love — Kari Jobe (2014) Ephesians 3:18-19
The bridge enumerates all four spatial dimensions used in Paul's prayer about comprehending Christ's love. Within the song's sustained focus on divine love, this is an unmistakable adaptation of that passage.
Furious — Bethel Music & Jeremy Riddle (2011) Ephesians 3:18-19
The chorus describes divine love through spatial dimensions, particularly depth and width, echoing Paul's description of Christ's immeasurable love. The opening emphasis on only partially comprehending that love reinforces the connection.
Salt & Light — Lauren Daigle (2015) Ephesians 3:18-19
The bridge describes divine love through height, depth, and width, closely adapting Paul’s dimensional description of Christ’s love.
Love So High — Matt Redman (2012) Ephesians 3:18-19
The repeated enumeration of love’s four dimensions closely adapts Paul’s prayer that believers comprehend the breadth, length, height, and depth of Christ’s love.
No Greater Love — John Van Deusen (2025) Ephesians 3:18-19
The bridge invokes the four spatial dimensions Paul uses when praying that believers will comprehend the immeasurable love of Christ.
Known — Tauren Wells (2017) Ephesians 3:18-19
The bridge describes God's love through dimensions and immeasurable richness, closely echoing Paul's prayer that believers comprehend the breadth, length, height, and depth of Christ's surpassing love.
Canyons (live) — Cory Asbury (2020) Ephesians 3:18-19
The song describes Christ’s love through dimensions of height, distance, width, and depth while emphasizing that it exceeds human comprehension. This closely parallels Paul’s prayer that believers grasp the dimensions of Christ’s surpassing love.
Tonight — Francesca Battistelli (2014) Ephesians 3:18-19
The chorus describes Jesus' love through the paired dimensions of depth and width, echoing Paul's prayer that believers comprehend the dimensions of Christ's love.
A BEAUTIFUL LIFE — Alexander Pappas (2021) Ephesians 3:18-19
The bridge invokes the immeasurable depth and width of divine love and the singer’s inability to comprehend it fully, closely following Paul’s prayer concerning the dimensions of Christ’s love that surpasses knowledge.
Water Falls — Jami Smith (2009) Ephesians 3:18-19
The song describes divine love through a sequence of spatial dimensions, closely adapting Paul's description of the breadth, length, height, and depth of Christ's love. Its emphasis on love beyond ordinary human experience also echoes Paul's account of love that surpasses knowledge.
Loved — Kutless (2015) Ephesians 3:18-19
The chorus describes Christ's love through dimensions of depth and width while acknowledging that its extent exceeds human understanding. This closely adapts Paul's description of the dimensions of Christ's love and its surpassing knowledge.
The Love You Have for Me — Sean Feucht (2015) Ephesians 3:18-19
The chorus adapts Paul's spatial description of Christ's love. The pre-chorus reinforces the connection through its invitation to comprehend divine fullness, echoing the culmination of Paul's prayer.
Daughters — Madison Ryann Ward (2025) Ephesians 3:18-19
The bridge closely follows Paul’s description of the breadth, length, height, and depth of Christ’s surpassing love, presenting that immeasurable love as abiding and life-filling.
After Your Heart — Vertical Worship (2018) Ephesians 3:18-19
The bridge contemplates the depth and breadth of divine love, echoing Paul's prayer that believers comprehend the dimensions of Christ's love, which surpasses knowledge.
Nothing Like Your Love — Paul Baloche (2020) Ephesians 3:18-19
Portrays divine love as exceeding human articulation and measurement across vertical extremes of height and depth, echoing Paul's prayer to grasp the breadth, length, height and depth of Christ's love that surpasses knowledge.
Thankfulness Song — VeggieTales (2010) Ephesians 3:18-19
The song describes divine love through the dimensions of depth and width, echoing Paul's description of the breadth, length, height, and depth of Christ's love.
Canyons — Corey Voss & Krissy Nordhoff (2017) Ephesians 3:18-19
The song frames divine love through height, width, and depth, then describes that love as filling the believer inwardly. This closely follows Paul’s prayer that believers comprehend love’s immeasurable dimensions and be filled with God’s fullness.
Oh How Worthy - Live — Lakewood Music & Alexandra Osteen (2024) Ephesians 3:18-19
The bridge uses dimensions of depth and width to describe Christ's love, directly echoing Paul's prayer that believers comprehend the immeasurable dimensions of that love.
Written in the Skies — Luke + Anna Hellebronth (2019) Ephesians 3:18-19
The bridge measures Christ's love in terms of height and width while emphasizing its limitless extent, closely echoing Paul's prayer concerning the immeasurable dimensions of Christ's love.
Give Me Jesus - Live — Sovereign Grace Music (2017) Ephesians 3:18-19
The chorus adopts Paul's four-dimensional description of Christ's immeasurable love and connects it with divine fullness.
How Vast the Love - Live — Sovereign Grace Music (2019) Ephesians 3:18-19
The chorus describes Christ’s love through spatial dimensions, closely following Paul’s prayer that believers comprehend its immeasurable extent.
The Great Adventure — Kevin Quinn & Bailee Madison & Jahbril Cook & Kat Conner Sterling & Iain Tucker & The Cast Of Netflix's Film A Week Away & Sherri Shepherd (2021) Ephesians 3:18-20
The claim that God's love carries believers beyond the limits of their dreams echoes Paul's prayer to comprehend Christ's surpassing love and his declaration that God can do beyond what people ask or imagine.
Amazing Love — Fred Hammond (2012) Ephesians 3:18-19
The repeated description of divine love through spatial dimensions closely adapts Paul's description of the breadth, length, height, and depth of Christ's love. The comparisons emphasize a love exceeding ordinary measurement and comprehension.
Faithful God — Laura Story (2011) Ephesians 3:18-19
The closing section describes Christ's love through its depth and width, echoing Paul's dimensional description of that love and his prayer that believers comprehend it.
How Much — Mandisa (2009) Ephesians 3:18-19
The chorus measures divine love through extraordinary depth and height, then presents that love as exceeding human comprehension. This closely echoes Paul's description of the dimensions of Christ's love and his prayer that believers know a love that surpasses knowledge.
W.O.W. — AWAKE84 (2023) Ephesians 3:18-19
The repeated dimensions of divine love—depth, width, and height—closely reflect Paul’s prayer that believers comprehend the vast dimensions of Christ’s love.
Ima Mfo — Moses Bliss (2021) Ephesians 3:18-19
The description of divine love as exceeding the mind's capacity closely reflects Paul's prayer that believers comprehend Christ's love while recognizing that it surpasses knowledge.
Jesus Lord of Heaven — Phil Wickham (2007) Ephesians 3:18-19
The bridge describes Christ’s love through spatial dimensions, closely adapting Paul’s description of its breadth, length, height, and depth. The song’s emphasis on love exceeding every boundary also echoes Paul’s declaration that Christ’s love surpasses knowledge.
Amazed — Desperation Band (2010) Ephesians 3:18-19
The closing description of divine love through spatial dimensions closely adapts Paul’s prayer that believers comprehend the breadth and depth of Christ’s love, which surpasses knowledge.
The Greatness Of Our God - Live — Hillsong Worship (2010) Ephesians 3:18-19
The chorus describes divine love as exceeding both measurement and human comprehension, closely reflecting Paul's description of the dimensions of Christ's love and its surpassing knowledge.
Wholly Yours (Ephesians 3:18-19) - Live — Shane & Shane & Kingdom Kids (2022) Ephesians 3:18-19
The bridge marvels at the immeasurable depth of God's love, directly engaging Paul's prayer that believers comprehend Christ's vast love even though it surpasses knowledge. The scripture citation in the song title confirms this intended reference.
Wide, High, Long, Deep — Ellie Holcomb (2018) Ephesians 3:18-19
The song’s four-dimensional description of divine love directly parallels Paul’s prayer that believers comprehend the breadth, length, height, and depth of Christ’s love.
No Limit — Apollo LTD (2021) Ephesians 3:18-19
The attempt to measure the dimensions of divine love, followed by the admission that it exceeds human explanation, closely parallels Paul's prayer that believers comprehend Christ's immeasurable love while recognizing that it surpasses knowledge.
Pursuit — Big Daddy Weave (2019) Ephesians 3:18-19
The song describes Christ and his love through immeasurable vertical and spatial dimensions, closely echoing Paul's prayer that believers comprehend the height and depth of Christ's surpassing love.
He Hideth My Soul — Guy Penrod (2012) Ephesians 3:19
The description of being filled with divine fullness closely adapts Paul's prayer that believers experience Christ's love and receive God's fullness.
Living Color — Elevation Church Kids (2020) Ephesians 3:19-20
The description of divine grace as exceeding both comprehension and imagination closely reflects Paul's prayer concerning Christ's unknowable love and God's ability to do immeasurably beyond human imagining.
Devotion — Worship Central (2017) Ephesians 3:19
The description of Christ's love as exceeding what the worshipper can know closely paraphrases Paul's prayer concerning a love that surpasses knowledge.
God Is Able — Patrick Ryan Clark (2013) Ephesians 3:20
The song repeatedly describes God's ability as exceeding human requests and expectations, closely adapting Paul's declaration that God can accomplish immeasurably more than people ask or imagine.
Holy Spirit, Living Breath Of God/Gabriel's Oboe - Live — Keith & Kristyn Getty (2013) Ephesians 3:20-21
The spoken conclusion directly recites Paul's doxology concerning God's power within believers and enduring glory in the church and in Christ.
More Than Enough — Israel & New Breed (2012) Ephesians 3:20
The song closely adapts Paul's distinctive language about God's ability to accomplish abundantly beyond what people ask or imagine. Its declaration of divine sufficiency reinforces this verbal connection.
Anything Yet — Cade Thompson (2021) Ephesians 3:20
The opening questions connect prayer and human imagination with God accomplishing far beyond their perceived limits, closely reflecting Paul's description of God's power exceeding what people ask or imagine.
Covered - Live — Grace City & Mack Brock (2019) Ephesians 3:20
The bridge closely restates Paul's praise of God as able to act immeasurably beyond human requests or imagination.
God Of The Impossible — Circuit Rider Music & Ethan Mizell & Black Voices Movement (2026) Ephesians 3:20
The chorus describes God as able to act beyond human imagination and perceived possibility, closely echoing Paul's praise of God's power to accomplish immeasurably more than people can ask or imagine.
Miracles — Vertical Worship (2020) Ephesians 3:20
The spoken interlude closely paraphrases Paul's description of God as able to accomplish beyond anything believers ask or conceive.
The Way We Roll — Newsboys (2009) Ephesians 3:20
The chorus describes God's provision as exceeding anything the band could have requested, closely adapting Paul's declaration that God can do immeasurably more than all we ask or imagine.
ABLE — Darrel Walls & PJ Morton (2025) Ephesians 3:20
The bridge closely echoes Paul's description of God as able to accomplish immeasurably more than believers ask or imagine, retaining the passage's distinctive combination of divine ability and exceeding abundance.
I Can't Give Up — Byron Cage (2019) Ephesians 3:20
The expectation that God will act beyond anything one can request, conceive, or imagine closely follows Paul's doxology about God's immeasurable power.
Spirit's Interlude — Zauntee (2024) Ephesians 3:20
The prayer that God will accomplish immeasurably beyond what the team can ask, think, or imagine closely paraphrases Paul's doxology concerning God's power to exceed human requests and expectations.
We Need a Miracle — Charity Gayle (2021) Ephesians 3:20
The chorus closely reproduces Paul’s description of God as able to act far beyond what people can request or conceive.
Jireh — Elevation Worship (2021) Ephesians 3:20
The later refrain directly paraphrases Paul’s declaration that God can exceed human requests and imagination according to the divine power active within believers.
Able (with Brandon Lake) — Phil Wickham (2026) Ephesians 3:20-21
The chorus directly adapts Paul’s doxology concerning God’s ability to accomplish immeasurably beyond human thought or expectation, followed by praise of his glory.
Able — Phil Wickham (2026) Ephesians 3:20-21
The chorus directly adopts Paul’s doxology concerning God’s ability to accomplish far beyond human requests or imagination, followed by an attribution of glory to God.
Where Your Heart Is — AWAKE84 (2024) Ephesians 3:20
The description of God exceeding anything the singer could ask or conceive closely paraphrases Paul's praise of God's ability to do immeasurably beyond human requests and thoughts.
ABLE (REMIX) — Darrel Walls & PJ Morton & Kim Burrell (2025) Ephesians 3:20
The song explicitly references God's ability to do exceedingly and abundantly beyond what we can ask or think, which aligns closely with Ephesians 3:20.
Bigger Dreams — Jonathan Traylor (2020) Ephesians 3:20
The chorus closely reflects Paul's description of God as able to accomplish far beyond the limits of human requests or imagination, applying that assurance to God's purposes for the singer's future.
You Make Me Rich — Brian Courtney Wilson (2018) Ephesians 3:20
The description of God acting beyond everything a person can request or imagine closely reproduces Paul's doxology concerning God's power at work within believers.
Bênçãos Que Não Têm Fim (Counting My Blessings) - ao vivo — Isadora Pompeo (2024) Ephesians 3:20
The singer describes asking God for a miracle and then receiving care beyond what she could imagine, closely reflecting Paul's description of God acting immeasurably beyond what people ask or conceive.
Sun Stand Still — Elevation Worship (2010) Ephesians 3:20
The second verse closely follows Paul’s description of God’s ability to exceed human requests and imagination. Its placement after the reference to the indwelling Spirit also echoes the passage’s emphasis on divine power working within believers.
In The Meantime — Jess Ray (2025) Ephesians 3:20
The promise of receiving beyond anything one could request or envision is a clear paraphrase of Paul's praise of God's ability to do immeasurably beyond human asking or imagining.
Be Praised (Acoustic Set) - Live — Maverick City Music & Naomi Raine & Chandler Moore (2025) Ephesians 3:20
The phrase 'Now unto Him who is able' directly references Ephesians 3:20, which speaks of God's ability to do exceedingly abundantly above all that we ask or think.
Faithful to Believe — Byron Cage (2009) Ephesians 3:20
The chorus reproduces the distinctive wording of Paul's doxology describing God's ability to accomplish more than human requests or imagination.
Why Do I Do — Jump5 (2010) Ephesians 3:20
The chorus closely adapts Paul's description of God's ability to exceed both human requests and imagination. It presents that divine abundance as generosity already experienced by the singers.
True to Your Word — Nathaniel Bassey & Grace Omosebi (2021) Ephesians 3:20
God's ability to accomplish beyond human requests closely paraphrases Paul's praise of the divine power at work among believers.
A Million Hallelujahs — Bridge Worship (2023) Ephesians 3:20
The description of God as exceeding what the worshiper can request or envision closely paraphrases Paul's praise of God's ability to surpass all that believers ask or imagine.
Overflow — Israel & New Breed (2012) Ephesians 3:20
The repeated declaration that God's abundance exceeds human asking and thinking closely adapts Paul's doxology. The surrounding requests for God to surpass imagination reinforce this specific reference.
Worth the Wait — Terrian (2024) Ephesians 3:20
The claim that God's answer surpassed both expectation and request closely reflects Paul's praise of God as able to do beyond what believers ask or imagine.
More Than Able — Elevation Worship (2023) Ephesians 3:20-21
The song’s repeated emphasis on God being abundantly capable, together with its appeal to imagine what he can accomplish, closely paraphrases Paul’s praise of God as able to do immeasurably beyond human requests or imagination.
Jireh - Live From Passion 2022 — Passion & Maverick City Music (2022) Ephesians 3:20
The closing refrain closely follows Paul's doxology about God accomplishing beyond human requests or imagination through the divine power active within believers.
Impossible — Da’ T.R.U.T.H. (2011) Ephesians 3:20
The third verse describes God's ability to exceed what people ask, closely adapting Paul's description of divine power surpassing human requests and imagination.
THIS MOMENT — ELEVATION RHYTHM (2020) Ephesians 3:20
The description of God as surpassing what a person can ask for or dream echoes Paul's praise of God's ability to do beyond all that believers ask or imagine.
Sure Been Good (Apple Music Session) [feat. Tiffany Hudson] — Elevation Worship (2024) Ephesians 3:20
The description of God accomplishing exceedingly more than the singer could dream closely paraphrases Paul’s praise of God as able to do beyond what people ask or imagine.
Able — Pastor Mike Jr. & Adia & Tvinci (2023) Ephesians 3:20
The pre-chorus and bridge repeatedly reproduce Paul's doxology about God's power surpassing every human request or thought, with only minor grammatical adaptation.
Bênçãos Que Não Têm Fim / Counting My Blessings (Ao Vivo) — Isadora Pompeo & Seph Schlueter (2024) Ephesians 3:20
The singer recalls asking God for a miracle and receiving an outcome that surpassed what she could conceive, closely reflecting Paul's description of God's power accomplishing beyond human requests or imagination.
Life — Beckah Shae (2010) Ephesians 3:20
The bridge closely reproduces Paul’s description of God’s ability to accomplish abundantly beyond human requests and thoughts. The earlier emphasis on possibilities beyond imagination reinforces this reference.
Gloria — Fernando Ortega (2024) Ephesians 3:21
The doxology reproduces the distinctive closing wording of this verse in the King James Version, which ascribes eternal glory to God and concludes with an affirmation.

Ephesians 3 (King James Version)

¹ For this cause I Paul, the prisoner of Jesus Christ for you Gentiles,

² If ye have heard of the dispensation of the grace of God which is given me to you-ward:

³ How that by revelation he made known unto me the mystery; (as I wrote afore in few words,

⁴ Whereby, when ye read, ye may understand my knowledge in the mystery of Christ)

⁵ Which in other ages was not made known unto the sons of men, as it is now revealed unto his holy apostles and prophets by the Spirit;

⁶ That the Gentiles should be fellowheirs, and of the same body, and partakers of his promise in Christ by the gospel:

⁷ Whereof I was made a minister, according to the gift of the grace of God given unto me by the effectual working of his power.

⁸ Unto me, who am less than the least of all saints, is this grace given, that I should preach among the Gentiles the unsearchable riches of Christ;

⁹ And to make all men see what is the fellowship of the mystery, which from the beginning of the world hath been hid in God, who created all things by Jesus Christ:

¹⁰ To the intent that now unto the principalities and powers in heavenly places might be known by the church the manifold wisdom of God,

¹¹ According to the eternal purpose which he purposed in Christ Jesus our Lord:

¹² In whom we have boldness and access with confidence by the faith of him.

¹³ Wherefore I desire that ye faint not at my tribulations for you, which is your glory.

¹⁴ For this cause I bow my knees unto the Father of our Lord Jesus Christ,

¹⁵ Of whom the whole family in heaven and earth is named,

¹⁶ That he would grant you, according to the riches of his glory, to be strengthened with might by his Spirit in the inner man;

¹⁷ That Christ may dwell in your hearts by faith; that ye, being rooted and grounded in love,

¹⁸ May be able to comprehend with all saints what is the breadth, and length, and depth, and height;

¹⁹ And to know the love of Christ, which passeth knowledge, that ye might be filled with all the fulness of God.

²⁰ Now unto him that is able to do exceeding abundantly above all that we ask or think, according to the power that worketh in us,

²¹ Unto him be glory in the church by Christ Jesus throughout all ages, world without end. Amen.